White 356, 2007
Cédric Marcadier  

Photography : black & white edition, digital, fine art print · 90 x 90 x 2 cm 35.4 x 35.4 x 0.8 inch · Ready to hang

$1,695 1 695 $US

One of the last works available by this artist

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Shipping & delivery

Shipped from: France

Delivery to: United States , $ 255

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 5 copies

5 copies available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Not Signed

Dimensions ( cm • inch )

90 x 90 x 2 cm 35.4 x 35.4 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

94 x 94 x 4 cm 37 x 37 x 1.6 inch

Sold by

Art gallery

Professional art gallery • France

Credentials

Vetted seller since 2023

Description
Location: Ardèche
During the 2007 Monte Carlo Historic Rally, this white Porsche 356 blended in perfectly with the snowy landscapes crossed by the competitors. This padded atmosphere allows the image to exude a great softness, coming to marry perfectly with this icon of motorsport.
15 copies maximum, all formats combined.

Black and white

Vehicles

Mountain landscapes

Car racing

Snow

Vintage

Cars

Grey

Cédric Marcadier, White 356
France  • 1978

Presentation

Passionate about motorsport from an early age, Cédric Marcadier was 12 years old when the Val de Vienne circuit emerged from the ground. He accompanies his father there at the weekend, who introduces him to speed, racing and the atmosphere of the paddocks. He is quickly offered his first film camera to immortalize the cars he meets there.

Later, he went to Paris where he pursued engineering studies but kept his passion intact. With friends he created an association to organize track days. It was by wanting to immortalize their exploits that he discovered digital photography. From then on, he will seek to render the atmosphere, the sensations, the adrenaline inherent in this sport.

Among his influences we can cite sports photographers such as Paul Henri Cahier or Vladimir Rys, but also artists such as Michael Kenna, whose minimalism, careful framing and mastery of black and white he admires, or even Sarah Moon and Paolo Roversi for their use of blur.

Gradually he detaches himself from the documentary approach and gives way to a more conceptual and artistic style, abandoning color in favor of black and white for its timeless side. However, its objective remains the same: to convey the essence of automotive passion.

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