Lights, Shadows, and Glaciers IV, 2024
Matthias Conrad  

Photography : black & white edition, fine art print, cotton, archival pigment print · 60 x 90 x 0.1 cm 23.6 x 35.4 x 0 inch

$642 642 $US
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Shipped from: Germany

Delivery to: United States , $ 69

Estimated delivery: Two to three weeks

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About the artwork

Type

Photography : numbered and limited to 25 copies

20 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Signed artwork

Dimensions ( cm • inch )

60 x 90 x 0.1 cm 23.6 x 35.4 x 0 inch Height x Width x Depth

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Vetted seller since 2023

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Description

Mountain spring in the Swiss Alps is a breathtaking spectacle and every year it's a different experience. As the snow begins to melt, alpine meadows come alive with an explosion of vibrant wildflowers, creating a stunning contrast against the icy, stoic glaciers towering above. During my hikes above the tree line into more alpine landscapes, the abundance of floral life often made it a challenge to stay focused on the glacial scenes I sought to capture, as both elements vie for attention in their own unique way.

Over the past decade, my exploration of Switzerland's alpine regions has been a source of endless inspiration. Among the many wonders I've encountered, what captivates me most is the ever-changing dance of clouds and glaciers atop the rugged peaks. This interplay of movement and stillness, of soft vapors and solid ice, creates scenes that are as dynamic as they are timeless.

Capturing the intricate details of these glacial landscapes requires precision in both technique and equipment. To preserve the sharpness and texture of the ice, I rely on short exposure times that freeze the subtle motion of the clouds and emphasize the rugged, unyielding nature of the glaciers. Using filters, particularly a Polarizer and the ND3+CPL combination from Maven, allows me to manage reflections and control the light, bringing out the full depth and detail in my images. These tools not only help reduce glare on the ice but also balance the light in high-contrast scenes, ensuring that the glaciers' intricate patterns are rendered with clarity and nuance.

To emphasize these details further, I chose to photograph the glaciers in black and white. By stripping away the distraction of color, the raw textures and stark contrasts are brought to the forefront. This minimalist approach reveals the true character of the glaciers—their deep cracks, jagged ridges, and the dramatic interplay of light and shadow. It's remarkable how much more visible becomes when the vibrant hues of nature are subdued, allowing the story of the ice to unfold in its purest form.

Printed on Hahnemühle PhotoRag, one of the finest and highest-quality papers on the market with a matte finish. Each print comes with a certificate of authenticity, including a unique hologram sticker system, a signature, and an edition number. Your print will arrive signed, numbered, stamped, unmounted, and unframed, allowing you to mount and hang it as you wish.

Matthias Conrad, Lights, Shadows, and Glaciers IV
Germany  • 1974

Presentation

Nature and landscapes have always played an important role in his life. Matthias was born in the mid-1970s in a small town in Thuringia, on the edge of the Hainich National Park, in the middle of Germany, where he grew up very close to nature. Trips and vacations with his parents and grandparents often led to nature. He discovered photography very early on in his childhood when playing around with his parents' and grandparents' analog EXA and Praktika cameras, which were made in the GDR.

What started as a small hobby has developed over the years into his profession and his passion. Matthias' love of traveling also arose during his business studies. His fascination for landscape photography began with various stays abroad in Canada, Mexico, and the USA and their diverse landscapes.

In the meantime, this type of photography also plays a decisive role in his professional life. In addition to workshops and photo trips, he often travels to Switzerland, Austria, and southern Germany to produce work for commercial projects.

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