XIV 374B // XIV Karo, Ethiopia (M), 2011
Jimmy Nelson  

Photography : C-print · 120 x 100 cm 47.24 x 39.37 inch

€15,343 15 343 €

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Shipped from: United States

Delivery to: France , € 150

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About the artwork

Type

Photography : numbered and limited to 6 copies

4 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Not Signed

Technique & Support

Dimensions ( cm • inch )

120 x 100 cm 47.24 x 39.37 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2023

Description

Series: Before They Pass Away.

"XIV 374B - Olaro, Boja, Gasho & Goba- Karo Tribe - Korcho Village, Omo valley - Ethiopia, 2011.

The Omo Valley, situated in Africa's Great Rift Valley, is home to an estimated 200,000 indigenous peoples who have lived there for millennia. Amongst them are 1,000 to 3,000 Karo who dwell on the eastern banks of the Omo river and practise flood-retreat cultivation, growing sorghum, maize and beans.

“A close friend can become a close enemy."

The Karo were known for their magnificent houses (when still rich in cattle), but after they lost their wealth, they adopted the much lighter conical huts. Every Karo family owns two houses: the Ono, the principal living room of the family, and the Gappa, the centre of several household activities."

All available sizes and editions:

29.13" x 24.41", Edition of 9

47.24" x 39.37", Edition of 6

66.93" x 55.11", Edition of  3

81.69" x 66.93", Edition of 1

Portrait

figurative

Costumes

Young

Tradition

mask

Black

Jimmy Nelson, XIV 374B // XIV Karo, Ethiopia (M)

Jimmy Nelson

United Kingdom  • 1967

Presentation

I take pictures. I make images. Unlike film, which overwhelms you with movement and sound, defining the ongoing moment, a photograph just sits there quietly while you decide what it is saying.


I strongly believe that artists must always be part of a conversation, and share provocative ideas. My idea is that of aesthetic and empowerment for a better world. I hope that with my work, remote, indigenous people (in many cases without a global perspective) get a better sense of their uniqueness and importance in the world we all live in, which will support them to be more resilient to the pressures around them.


This personal artistic documentation is a way of re-igniting the fire and pride within and for indigenous people, of creating mutual respect for all people, and of empowering future generations all over the world to illuminate their cultural heritage.


So all of us will see the bigger picture and stand united in our diversity, to meet the enormous challenges we face as humankind in the decade to come.

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