Tours de la Lune Acanto 1 - Jazzy Moons, 2024
Photography : digital, HD print · 30 x 44 x 2 cm 11.8 x 17.3 x 0.8 inch
Shipping & delivery
Shipped from: Spain
Delivery to: France , € 28
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 199 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Dimensions ( cm • inch )
30 x 44 x 2 cm 11.8 x 17.3 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
Moon Towers Acanto 1 44cm
Under the signature JM2 (Jose María JM, Jazzy Moons), you will find striking, bright, colorful, elegant, lively, and colorful moons, all with a chic and stylish touch. Each one of them is made with my best wishes.
Could it be that the Moon will pass right there? Sometimes, a photograph, even an excellent one, can come about by pure chance. However, this is not the case when you want to combine the Moon with a terrestrial object. In my case, I wanted the crescent Moon to appear behind the Four [Five] Towers of Madrid. That was not the product of chance, but of careful preparation using known lunar trajectories.
The result is this work called Moon Towers Acanto 1 from the first collection, charged with a captivating force.
Material used to reproduce the work: J. M. Orellana used dibond aluminium, a material that provides an exceptionally pure and authentic effect thanks to the absence of glazing. It is composed of three layers: two aluminum plates coated in platinum white that encapsulate a black polyethylene core. The thin, robust foil covering the photo print protects the dibond aluminium image effectively and without bubbles.
This time, a reduced version that offers more placement possibilities to decorate your home and makes it more accessible to a greater number of collectors.
Limited edition of 199 works
Presentation
José María García-Orellana (1960)
The Moon has always fascinated me.
That summer of '69, it seemed within our reach through a black-and-white television, accompanied by the unmistakable voice of Hermida. It was then that the Moon began to be something important to me. But, as often happens, urgent matters that life demands to be attended to took precedence over what was important.
And it was life itself, seven years ago, that, albeit with some costs, gave me the opportunity to stand before the Moon and capture its silhouette, orography, and colors in a few megapixels.
And what has happened in those seven years?
With the imperfections inherent to being self-taught and the limitations life has graciously bestowed upon me, I have spent time, determination, and effort capt
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