Caballo el Palmar, Silver Gelatin Print, 2019
Photography : silver print · 17 x 17 x 0.3 cm 6.7 x 6.7 x 0.1 inch
$900
900 $US
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Shipped from: Colombia
Delivery to: United States , $ 120
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
7 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
17 x 17 x 0.3 cm 6.7 x 6.7 x 0.1 inch Height x Width x Depth
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Credentials
Vetted seller since 2019 • Top Seller
Description
About the BRUMA series: What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with dynamic and fleeting cycles: from the geological time of formation of those mountains, through the recurring periods of flowering and decay of plant life, to the immediate oscillation of a climate that oscillates between extremes: all stations in a day, sometimes in an hour or less. And at the same time, traces of many pasts persist in a spectral present. Ghosts. Melancholic friars wandering in the fog. Land of deities and demons. Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History at New York University, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His work has been exhibited in New York, Berlin, Mexico City and Bogotá, and published in different media, including The New York Times and The New Republic.
From the Series Bruma Selenium- Toned Gelatin Silver Prints Sheet Size: 10 in H x 8 in W Image size: 6.77 in H x 6.77 in W Edition 3/10
Presentation
Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His personal work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. Occasionally, he prefers to make portraits of trees. His work has been exhibited in New York, Berlin, Mexico City and Bogotá, and published in different media, including The New York Times and The New Republic.
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