Traces (Frozen) - Proof before printing, 2004
Photography : C-print · 128 x 125 x 0.1 cm 50.4 x 49.2 x 0 inch
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Dimensions ( cm • inch )
128 x 125 x 0.1 cm 50.4 x 49.2 x 0 inch Height x Width x Depth
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Art gallery
Professional art gallery • United States
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
Traces (Frozen)
Proof b4 Printing / 2005, 128x125cm, 2005
analog C-Print, hand-printed by the artist, based on a Polaroid, signed on front.
What exactly is a proof before printing?
The proofs are part of the printing process. They are usually the few last color trials before printing the edition. They are usually not perfectly color corrected yet. Sometimes a proof might be close in color but we still have to re-print to bring everything together. Proofs are by definition imperfect and part of the natural evolution of a print. Sometimes there is no white border or a kink. A proof is a proof of one step on the way to making a print edition.They are by definition, imperfect. Wabi Sabi.
This print is very close to the final print.
“I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.”
(Marc Forster)
Stefanie Schneider lives and works in Los Angeles and Berlin
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen.
Presentation
Stefanie Schneider (1968) is a German photographer living in Berlin and Los Angeles. Schneider's photographs exhibit the appearance of expired Polaroid instant film, with its chemical mutations. It has been released in books and exhibition catalogs, and in her own feature film 29 Palms, CA (2014). Her work has also been used as the cover art for music by Red Hot Chili Peppers and Cyndi Lauper, and in the film Stay (2005).
Schneider's preferred choice of location is the American West (especially Twentynine Palms, California, which served as location and title to one of her books), and the mounting of sequential images in a panel, the photographs evoke the impression of faded dreamy film stills. She holds an MFA in photography from the Folkwang Hochschule in Essen, Germany.
Schneider completed 29 Palms, CA in 2014. A feature film, art piece that explores the dreams and fantasies of a group of people who live in a trailer community in the Californian desert. The project includes six films: "Hitchhiker", "Rene's dream", "Sidewinder", "Till death do us part", "Heather's dream" and the feature film "The Girl Behind the White Picket Fence". A defining feature is the use of still Polaroid images in succession and voice over. Characters talk to themselves about their ambitions, memories, hopes and dreams. The latest of these short film is "Heather's dream", starring Heather Megan Christie and Udo Kier, and was selected in May 2013 by the International Short Film Festival Oberhausen and is also nominated for the 2013 German short film award.
In a review of her book Stranger Than Paradise, Daniel Kothenschulte writes in the German magazine Literaturen that:
Stefanie Schneider is an internationally known artist that takes analog photographs and makes experimental movies with them. Schneider has cribed some of the titles of the series of her enlarged Polaroids from her favorite movies: Red Desert, Zabriskie Point or The Last Picture Show. Even if most images remain connected to the genre of road movies—in one case one seems to get a glimpse of Ridley Scott's tragic runaways Thelma and Louise.
Collections
DZ Bank, Francfort, Allemagne
Dreyfuss, Bâle, Suisse
Schmidt Bank, Ratisbonne, Allemagne
Groupe d'édition Holtzbrinck, Stuttgart, Allemagne
Collection Sander, Berlin, Allemagne
Ocean Foundation, Zurich, Suisse
Germanisches Nationalmuseum, Nuremberg, Allemagne
Impossible Collection, Vienne, Autriche
Collection Luc LaRochelle, Montréal, Canada
Collection d'art du canton de Zug, Suisse
Expositions
Expositions individuelles
2014 Motion Photography – 6 Finalists, Saatchi Gallery, Londres, GB
2014 Instantdreams, De Re Gallery, Los Angeles, USA
2014 Stefanie Schneider, c.art-Galerie Bregenz, Autriche
2013 The girl behind the white picket fence, Galerie Catherine et André Hug, Paris, France
2012 Stranger than Paradise, Christian Hohmann Fine Art, Palm Desert, USA
2012 Stefanie Schneider, Gallery at Cliff Lede Vineyards, Napa Valley, USA
2011 California Dreaming, ROLLO Contemporary, Londres, GB
2010 Stefanie Schneider, Galerie Walter Keller, Zurich, Suisse
2010 Instant Dreams, Frank Picture Gallery, Santa Monica, USA
2009 29 Palms, CA, Moravian Gallery, Brno, République tchèque
2008 Sidewinder, Städtische Galerie am Mozartplatz, Salzbourg, Autriche
2007 Wastelands, Kunstverein Recklinghausen, Allemagne
2006 Wastelands, Zephyr / Reiss-Engelhorn-Museen, Mannheim, Allemagne
2005 Last Picture Show, Galerie Caprice Horn, Berlin, Allemagne
2004 Suburbia, Galerie Kuttner Siebert, Berlin, Allemagne
2004 Stefanie Schneider, Galerie Michael Sturm, Stuttgart, Allemagne
Expositions collectives
2014 Nude, Pop-up Art Gallery Berlin, Allemagne
2013 Images for Images, GASK – Gallery of the Central Bohemian Region, Kutná Hora, République tchèque
2013 The Polaroid Years: Instant Photography and Experimentation, Frances Lehman Loeb Art Center, Poughkeepsie, USA
2013 Road Atlas - Straßenfotografie, DZ Bank Collection, Kunsthalle Erfurt, Allemagne
2012 Polaroid (Im)Possible – The Westlicht Collection, Forum de la culture et de l'économie du land de Rhénanie du Nord-Westphalie, Düsseldorf, Allemagne
2010 Mapping Worlds: Welten verstehen – Aufbruch in die Gegenwart, 8ème triennale internationale de la photo, Esslingen, Allemagne
2009 True Lies, Kunsthaus Essen, Allemagne
2008 Les Rencontres d'Arles, organisées par Christian Lacroix, nominée pour le prix découverte
2007 Breaking the Waves, Arthaus, Los Angeles, USA
2006 Artists for Tichy - Tichy for Artists, Museum für Moderne Kunst, Passau, Allemagne
2006 Out of the Camera: Analoge Fotografie im digitalen Zeitalter, Kunstverein, Bielefeld, Allemagne
Land in Translation, Riverside Museum, USA.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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