Motel Room, 2022
Vivien Raynal  

Photography : fine art print · 60 x 60 x 1 cm 23.6 x 23.6 x 0.4 inch

€350 350 €
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Shipped from: France

Delivery to: France , € 25

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 20 copies

20 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cminch )

60 x 60 x 1 cm 23.6 x 23.6 x 0.4 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2025

Description

This work is from the series “Parallel Solitude".

This series explores the multiple realities that shape our perception of the world. Each person, like a unique galaxy, lives in their own reality, shaped by their dreams, desires, and torments. Through photographic and digital composition, this work evokes solitude and difference—elements that define us but are often rejected by society's smooth, narrow-minded norms. These portraits are a reflection on the difficulty of fully embracing our imperfections and fragility in a world that tends to homogenize individuals.

This captivating work features a retro television displaying a black-and-white erotic scene, contrasting with an American motel setting (the artist having traveled extensively in the United States and visited numerous motels). The intense red background serves as a dramatic canvas, from which the shadow of a male figure wearing a cowboy hat emerges, creating a visual dialogue between past and present. This interplay of light and shadow invites reflection on themes of nostalgia and anonymity. The choice of colors and the elaborate staging add a cinematic dimension. Indeed, the artist is heavily influenced by film. Through its meticulous composition and subtle symbolism, this image explores duality and contrast in a striking way, stimulating the viewer's imagination.

Nude

Cinema

Human body

Cowboys

Sexuality

Red

Vivien Raynal, Motel Room

Vivien Raynal

France  • 1980

Presentation

Vivien Raynal is a complete artist. Born into a family of artists, he grew up in the south of France. While music won his heart in his early years, it is drawing and cinema that have always been his passions. A musician, author, and composer, he travels the world and is captivated by images, moods, atmospheres, and artificial or gloomy lighting. He is fascinated by others, with their flaws, projecting his own vulnerabilities onto them.

Meditation and the exploration of altered states of consciousness instilled in Vivien Raynal an obsession with time, the present, and liminal spaces. The vertigo provoked by infinity is a fascinating vibration, like the immensity of the void. He then became aware that the image creates a new temporality because it emancipates itself from time, and that he would henceforth be able to fully express himself through this prism.

Vivien Raynal's work is neither confined to a single technique nor to a single discourse. It opens the doors to an imagination that is both intimate and universal. Solitude serves as inspiration, leading to offbeat universes imbued with marginality and tinged with madness.

Inspired by the unsettling atmospheres of the world's great cities, he is fascinated by dilapidated urban areas, isolated roadsides and kitschy, disturbing interiors… these places, built by men and then abandoned, are merely a reflection of the fragility of a system.

The striking aesthetic of his works emerges from the use of deliberately vibrant colors, as well as the starkness and purity of the image. These techniques create a contrast with the singularity of his subject matter: his compositions celebrate ugliness and madness, the filth and sordidness of humanity.

Perfection does not exist in man. Behind each of us lies a shameful part of ourselves that we conceal, yet which nevertheless seeps through each of us. It is man's fragility, his flaws, his perversions, his deviations, that make him human.

In a redemptive approach, he rehabilitates humanity, restoring its nobility: we are all fragile.

Text by Laetitia Deloustal, PhD in History and Art History, October 2023

Reviews from our customers

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