Waves, 2024
Photography : archival pigment print · 119.9 x 89.9 x 0.3 cm 47.2 x 35.4 x 0.1 inch
$4,000
4 000 $US
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 5 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
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Dimensions ( cm • inch )
119.9 x 89.9 x 0.3 cm 47.2 x 35.4 x 0.1 inch Height x Width x Depth
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Description
The interlacing of what sustains In the series Trama, Eduardo Rezende turns his gaze to the hidden structures of the built environment — the elements usually concealed beneath the polished surfaces of cities. Beams, joints, steel plates, rivets, columns, and reinforcements form the silent framework that holds up the modern urban world. By isolating these elements in rigorous, nearly abstract compositions, the artist reveals the underlying weave that sustains our daily lives. These images do not depict construction as spectacle, but as essence. The focus lies on what connects, interlocks, and gives form and resilience. Corten steel, reinforced concrete, welds, and industrial textures come together in a visual fabric marked by time, labor, and transformation. There is a constant tension between weight and lightness, strength and vulnerability. Rigid lines and structural angles are met with a sensitive photographic gesture that seeks rhythm, harmony, and poetry even in the raw mechanics of contemporary life. Through Rezende's lens, the technical becomes aesthetic, and the functional, symbolic. Trama is, ultimately, an archaeology of the present — an attempt to understand the world by observing what holds it together. It is also a tribute to the visible and invisible connections that keep everything standing.
From the series Trama Archival pigment print on canvas
More sizes and editions: 59 x 39.3 in. Edition of 3 +1AP
Presentation
Eduardo Rezende, born in Rio de Janeiro in 1977, was introduced to the world of art early in life, influenced by his mother, an art dealer.
He began his professional journey in photography in 2001 and has since developed a distinctive visual language marked by graphic precision, expressive use of color, and a sculptural attention to the textures and forms of the urban environment.
His work centers on the observation of spaces in transformation. Elements that would typically go unnoticed become silent protagonists. Even in the absence of human figures, his images carry traces of time, labor, and matter.
Through his lens, Eduardo elevates the ordinary into visual constructions of striking graphic and chromatic impact. His photographs challenge perception: at times, it is difficult to tell whether what we see is flat or three-dimensional, a photograph or something beyond. They offer a new perspective on the world, inviting the viewer to find beauty and meaning beyond the obvious.
Living between different cultures and geographies, Eduardo brings to his work a nomadic and contemporary gaze-one that sees the world through what is in flux, in ruins, or in the process of being rebuilt. His photography is always searching for what exists in between: between the visible and the veiled, between the surface and the substance, between what was and what is still becoming.
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