À Mon Seul Désir (Identity Promises Series), 2026
Photography : archival pigment print · 30 x 40 x 0.1 cm 11.8 x 15.7 x 0 inch
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Delivery to: Spain , € 30
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 25 copies
5 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
30 x 40 x 0.1 cm 11.8 x 15.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Spain
Credentials
Vetted seller since 2023
Description
Photograph taken at the Cluny Museum, Paris, on 3 March 2026
Signed, titled, numbered and dated on the reverse of the photograph. Includes a certificate of authenticity signed by the artist.
Date of printing: June 2026
Image size: 30 x 40 cm.
Paper size: 34 x 44 cm.
Edition of 25 copies
À Mon Seul Désir (My Only Desire) is the centrepiece of the 'The Lady and the Unicorn' series on display at the Cluny Museum in Paris.
It comprises six tapestries, each representing one of the five senses: taste, smell, touch, sight and hearing.
This tapestry, bearing the inscription 'À Mon Seul Désir', represents the sixth sense and refers to the capacity for perception and understanding that goes beyond the five traditional senses.
Undoubtedly, these tapestries should be interpreted as having a spiritual and symbolic significance.
Here, the five senses represent much more than mere biological tools; they are the link between the material world and the spiritual realm. They act as a bridge connecting the microcosm (the human being) with the macrocosm, where each sense embodies an elemental force or a virtue.
In this photograph, the artist has sought to faithfully recreate the original atmosphere, capturing the ambient lighting in the exhibition space, in order to reflect as faithfully as possible the latent mystery inherent in the work.
Presentation
Imanol Marrodán. Bilbao 1964, Basque Country.
An interdisciplinary creator and researcher, he carries out, among other activities, critical work through various events related to art and contemporary thought as part of his personal creative project.
The concept of limit, inspired by the idea of the ancient Roman "limes", quoted by the philosopher Eugenio Trias as a metaphor for a civilised and rationally controlled knowledge, is the starting point of a concept of limit that is not understood as the end of something, but as a means to a new "beginning" of renewal, growth and evolution.
It is the process of forming an experience that shares a socio-political habitat in an industrial, materialistic, technological and artificial world, as opposed to a natural environment closely linked to the laws of the universe, which we hardly know, but which we still feel and sense.
As a conclusion and main priority, Imanol Marrodán's creative project seeks to highlight and bring to light the different uses, utilities and practical applications of contemporary creation as one of the essential driving forces behind the future of a social, political and economic community, helping to determine, in a transversal manner, its changes and evolutions.
He has exhibited in countries such as the United Kingdom, France, Germany, Portugal, Belgium, Korea, Argentina, Chile, Switzerland and the United States. His work has been shown in international contemporary art fairs such as ARCO, VALENCIA ART, ARTE SANTANDER and DFOTO (Spain), ART COLOGNE and KUNST KÖLN (Germany), KIAF (Seoul, Korea), ArteBA (Buenos Aires, Argentina), BALELATINA (Basel, Switzerland)...etc...
His work is widely represented in museums, public institutions and private collections.
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