Aladdin Sane, Eyes Closed (David Bowie), 1973
Brian Duffy  

Photography : color edition · 101.6 x 101.6 x 2 cm 40 x 40 x 0.8 inch · Ready to hang

$29,068 29 068 $US

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Shipped from: France

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About the artwork

Type

Photography : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Signed artwork

Technique & Support

Dimensions ( cm • inch )

101.6 x 101.6 x 2 cm 40 x 40 x 0.8 inch Height x Width x Depth

Artwork dimensions including frame

106.6 x 106.6 x 5 cm 42 x 42 x 2 inch

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Description

Duffy's 1973 photo of David Bowie for the Aladdin Sane album became his iconic look, dubbed the “Mona Lisa of pop." Commissioned by Bowie's manager to be “expensive," the album cover used a costly dye-transfer process. Duffy drew the famous lightning bolt on Bowie's face, with makeup by Pierre Laroche. Airbrush artist Philip Castle, under Duffy's instruction, added the water symbol to Bowie's clavicle - a detail Bowie found “quite sweet."

Brian Duffy, Aladdin Sane, Eyes Closed (David Bowie)

Brian Duffy

United Kingdom  • 1933

Presentation

Brian Duffy (1933 - 2010)

'I don't give a f**k what anybody thinks about me…. I never wanted to be famous. Why? For what? So the doorman at Harrods can recognise me? What I care about is what my kids think about me, and what my grandchildren think of me – the fact that they think I'm a genius is delicious.' 

- Brian Duffy.

Duffy was both rival and contemporary of David Bailey and Terence Donovan. This “terrible trio" as the British press had dubbed them, were the innovators of “documentary" fashion photography, a style which revolutionised fashion imagery and furthermore the fashion industry. 

The 'Trio' became far more famous than many of the models, with whom they worked, and were, for a while, even bigger than the glossy magazines that published their pictures.

Beginning his career at Vogue Magazine, Duffy made his name in fashion and celebrity photography and went on to become one of only a few photographers to have shot two Pirelli calendars.

Few celebrities of the 1960s and 1970s escaped Duffy's lens, which created memorable and sometimes iconic images of sitters including, probably most famously David Bowie, Jane Birkin, John Lennon, Blondie, Sir Michael Caine, Jean Shrimpton (The Shrimp), William Burroughs, Sidney Poitier, Terence Stamp and a naked Christine Keeler, whose scandalous affairs, famously almost brought down the British Government. 

His work was dynamic and inventive, as can be seen in the memorable 1973 album cover he shot for David Bowie's Aladdin Sane, but in 1979, disillusioned with the business, he took his transparencies and negatives into his studios garden and set them alight in a ceremonial finale to his career as a photographer, having felt that he had said all he could say in the medium. Thankfully, not all the negatives were destroyed!

Although Duffy wasn't concerned with his own fame, the legacy he leaves us is unquestionable and he will no doubt continue to inspire for generations to come.

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