Aladdin Sane, Eyes Closed (David Bowie), 1973
Photography : color edition · 101.6 x 101.6 x 2 cm 40 x 40 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 1,878
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 50 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
101.6 x 101.6 x 2 cm 40 x 40 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
106.6 x 106.6 x 5 cm 42 x 42 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Duffy's 1973 photo of David Bowie for the Aladdin Sane album became his iconic look, dubbed the “Mona Lisa of pop." Commissioned by Bowie's manager to be “expensive," the album cover used a costly dye-transfer process. Duffy drew the famous lightning bolt on Bowie's face, with makeup by Pierre Laroche. Airbrush artist Philip Castle, under Duffy's instruction, added the water symbol to Bowie's clavicle - a detail Bowie found “quite sweet."
Presentation
Brian Duffy (1933 - 2010)
'I don't give a f**k what anybody thinks about me…. I never wanted to be famous. Why? For what? So the doorman at Harrods can recognise me? What I care about is what my kids think about me, and what my grandchildren think of me – the fact that they think I'm a genius is delicious.'
- Brian Duffy.
Duffy was both rival and contemporary of David Bailey and Terence Donovan. This “terrible trio" as the British press had dubbed them, were the innovators of “documentary" fashion photography, a style which revolutionised fashion imagery and furthermore the fashion industry.
The 'Trio' became far more famous than many of the models, with whom they worked, and were, for a while, even bigger than the glossy magazines that published their pictures.
Beginning his career at Vogue Magazine, Duffy made his name in fashion and celebrity photography and went on to become one of only a few photographers to have shot two Pirelli calendars.
Few celebrities of the 1960s and 1970s escaped Duffy's lens, which created memorable and sometimes iconic images of sitters including, probably most famously David Bowie, Jane Birkin, John Lennon, Blondie, Sir Michael Caine, Jean Shrimpton (The Shrimp), William Burroughs, Sidney Poitier, Terence Stamp and a naked Christine Keeler, whose scandalous affairs, famously almost brought down the British Government.
His work was dynamic and inventive, as can be seen in the memorable 1973 album cover he shot for David Bowie's Aladdin Sane, but in 1979, disillusioned with the business, he took his transparencies and negatives into his studios garden and set them alight in a ceremonial finale to his career as a photographer, having felt that he had said all he could say in the medium. Thankfully, not all the negatives were destroyed!
Although Duffy wasn't concerned with his own fame, the legacy he leaves us is unquestionable and he will no doubt continue to inspire for generations to come.
Reviews from our customers
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