Pink Floyd, 2024
Photography : pigment ink, fine art print · 50 x 40 x 0.3 cm 19.7 x 15.7 x 0.1 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 51
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 5 copies
2 copies available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
50 x 40 x 0.3 cm 19.7 x 15.7 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
52 x 42 x 2 cm 20.5 x 16.5 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
The deep blue of the sky dominates the composition. It contrasts with the touches of bright red that punctuate the image. The shapes blend. The contours fade. This conceptual approach invites an intuitive reading of the moment.
The work on sharpness creates a hazy atmosphere. One can discern the effervescence of a terrace, the movement of the wind and the warmth of a summer day. The photography abandons documentary precision to capture a pure sensation.
Realized in 2024, this piece uses pigment ink printing on fine art paper. This technique ensures chromatic stability and tonal depth in the print. The final rendering emphasizes the softness of the gradients and the luminosity of the whites. This photograph is among limited editions.
Print 40x50 limited to 5 copies. Series all formats combined of 25 copies
Presentation
Sophie Moisan is a photographer. She lives and works in Paris, France.
Her photographic approach has been built over the years around a deeply personal vision, imbued with emotion and intimacy. Inspired by impressionism, she explores a photography that does not seek to faithfully reproduce reality, but to translate the sensitive perception of it. Blur, alterations, deformations of the image become a language, a way to evoke states of mind, memories, inner resonances.
Her relationship with photography is rooted very early. As a child, she discovers her mother's work, a photojournalist, who had set up her photo lab at home. The hours spent developing images under the red light of the laboratory constitute foundational memories for her. At the age of seven, she takes up a first photographic device. Her very first image — a trivial, almost absurd photograph — already marks an intuitive and conceptual relationship to the image.
Sophie Moisan then trains at the École Supérieure de Réalisations Audiovisuelles (ESRA). She first focuses on the world of advertising and audiovisual creation, working as a copywriter/concept writer within agencies such as RSCG Havas and Dassas Jaglin, then as a screenwriter for France Télévisions.
A personal event marks her finally back to her first practice: art photography in limited edition prints. She fully engages in it then, not as a simple visual medium, but as a space for inner exploration.
For Sophie Moisan, photographing consists as much of exploring the inside as of capturing the outside. She transforms the image from the moment of shooting, introducing blurs, deformations, and fragments to translate the fragile poetry of simple and everyday moments. The rain, omnipresent in her work, becomes a sensitive material: ephemeral drops, possible tears, traces of melancholy or an unspeakable happiness.
Her images invite the viewer to project their own memory, to inhabit the image with their story.
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