À fleur de peau, 2026
Photography : C-print, fine art print · 80 x 120 x 4 cm 31.5 x 47.2 x 1.6 inch
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 387
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 7 copies
7 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
80 x 120 x 4 cm 31.5 x 47.2 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Fes, Morocco, 2026
In the tanneries of Fes, three men work amidst a set of basins whose repetition draws a singular architecture. The bodies are inscribed in this succession of geometric forms, between gestures of work, materials, and colors.
Photographed from above, the scene reveals a contrast between the rigor of the organization of the basins and the diversity of human postures. Mineral lines structure the composition, while the silhouettes introduce ruptures in this network of forms.
With my photographic writing Sublimations, I develop here a chromatic interpretation of this universe. The deep blues and luminous yellows give the basins an almost pictorial presence, while the bodies, traversed by turquoise, pink, and orange, acquire a sculptural dimension.
The photograph retains its anchor in an ancestral workplace, while offering a plastic reading where materials, gestures, and architecture become inseparable. The tanners remain at the heart of this composition: their presence gives meaning to this space whose formal beauty is inseparable from human activity.
Technique and edition
Color silver gelatin print on Fujiflex Crystal Archive paper mounted on Dibond with lifted edges.
Dimensions : 120 × 80 cm.
Limited edition of 7 copies, all formats included.
Presentation
Christian Goetghebeur is a French photographer whose work explores the metamorphoses of the visible through a personal photographic writing, Sublimations.
Starting from photographs rooted in reality, he develops a plastic research where color and light become materials in themselves. Architectures, urban spaces, and human presences constitute the main territories of his exploration. Through chromatic transformations and plays of perception, he brings forth new relationships between forms, volumes, and figures, inviting us to shift our gaze.
His work unfolds notably between France, Morocco, and Guadeloupe, territories where he explores the architectural, human, and cultural singularities.
Since 2022, his photographs have been the subject of several personal exhibitions, notably in Tangier, Casablanca, Marseille, Paris, and Guadeloupe. He has also participated in collective exhibitions in Paris, Luxembourg, and Rabat, notably at the Autumn Salon, at Art Capital at the Grand Palais, and at the German Embassy in Paris.
His works are featured in several public and private collections, including those of the Musée de la Légation Américaine in Tangier, the Bachelot Collection, the city of Pointe-à-Pitre, and the city of Basse-Terre.
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