Une cartographie des gestes, 2026
Photography : C-print · 80 x 120 x 4 cm 31.5 x 47.2 x 1.6 inch
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Shipped from: France
Delivery to: Switzerland , CHF 130
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Photography : numbered and limited to 7 copies
7 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Not Signed
Dimensions ( cm • inch )
80 x 120 x 4 cm 31.5 x 47.2 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
This photograph captures the activity of a Moroccan tannery in Fez. The composition is organized around a rigorous grid of vats. The colors intensify. Blue dominates the space, contrasting with touches of yellow and red.
The image transforms an everyday workplace into a plastic exploration. Light becomes a material. Human silhouettes, dark and anonymous, punctuate the scene. They anchor the view in a social reality while integrating with the chromatic abstraction.
The gaze circulates between the geometric volumes and the curves of the tanks. This play of perceptions modifies our approach to the urban landscape. The balance between architecture and human presence creates a visual tension.
Created in 2026, this work uses the C-print printing technique.
This work from my photographic writing "Sublimations" explores the metamorphoses of the visible.
Color silver gelatin print on Fujiflex Crystal Archive paper mounted on Dibond with raised edges
Limited edition of 7 copies, all formats included.
Presentation
Christian Goetghebeur is a French photographer whose work explores the metamorphoses of the visible through a personal photographic writing, Sublimations.
Starting from photographs rooted in reality, he develops a plastic research where color and light become materials in themselves. Architectures, urban spaces, and human presences constitute the main territories of his exploration. Through chromatic transformations and plays of perception, he brings forth new relationships between forms, volumes, and figures, inviting us to shift our gaze.
His work unfolds notably between France, Morocco, and Guadeloupe, territories where he explores the architectural, human, and cultural singularities.
Since 2022, his photographs have been the subject of several personal exhibitions, notably in Tangier, Casablanca, Marseille, Paris, and Guadeloupe. He has also participated in collective exhibitions in Paris, Luxembourg, and Rabat, notably at the Autumn Salon, at Art Capital at the Grand Palais, and at the German Embassy in Paris.
His works are featured in several public and private collections, including those of the Musée de la Légation Américaine in Tangier, the Bachelot Collection, the city of Pointe-à-Pitre, and the city of Basse-Terre.
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