Untitled IV, 2016
José Sierra  

Photography : color edition, archival pigment print · 101.6 x 58.9 x 0.3 cm 40 x 23.19 x 0.1 inch

€1,821 1 821 €
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Shipped from: United States

Delivery to: France , € 273

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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 10 copies

10 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Technique & Support

color edition, archival pigment print on Fine art paper

Dimensions ( cminch )

101.6 x 58.9 x 0.3 cm 40 x 23.19 x 0.1 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2019 • Top Seller

Description

Untitled IV, from the "Sin título" series by Jose Sierra Archival Pigment Print. Semi-Matte Edition 1 of 10 + 2AP 

More Sizes Available: Small size: 24 in. H x 13.91 in. W Edition of 10 + 2AP

This striking artwork presents a captivating fusion of body art and performative expression. The central figure, adorned with meticulously applied white and black body paint, evokes a sense of tribal and cultural significance. The decorative pattern, featuring parallel lines and polka dots, flows seamlessly across the contours of the figure’s muscular frame, creating an intricate and harmonious design that demands attention. The face is a focal point, painted with a unique arrangement of white dots that highlight the figure’s features and add depth to the overall composition. This deliberate choice of face and body paint not only enhances the figure’s presence but also suggests a narrative of identity and transformation. Around the neck, a necklace of green foliage adds an organic element, contrasting sharply with the darker tones of the paint. This touch of nature introduces a dynamic interplay between the natural world and human artistry, infusing the piece with vitality and life. The backdrop of dried palm leaves frames the figure, grounding it in a setting that feels both intimate and connected to earth’s raw beauty. This setting, combined with the wooden stool, creates an ambiance that is both rustic and ritualistic. Overall, this artwork captures the viewer's imagination through its bold patterns, symbolic elements, and vivid contrasts, making it a compelling exploration of the human form as a canvas for storytelling and cultural expression.

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena. In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra’s ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation.”

Nude

Self-portrait

Human body

Pattern

Table

Latin-American Art

José Sierra, Untitled IV

José Sierra

Colombia  • 1991

Presentation

Jose Sierra (b. 1991 in Cartagena de Indias, Colombia) obtained his Master in Fine Arts from the University Institute of Fine Arts and Science of Bolivar (UNIBAC) in 2012 with a body of work titled Anti-Personnel Grids, which has since exhibited in different locales of Colombia. Shortly after, he was commissioned by the Colombian Ministry of Culture alongside the artist collective Si Nos Pagan Boys to participate in an urban art exposition titled, La Muerte Se Va de Vacaciones (Death is Going on Vacation) that was executed as a reaction to the traditionalism of Cartagena.

In 2014, he exhibited at the Museum of Contemporary Art of Cartagena and in La Presentacion Casa Museo Arte y Cultura. He then exhibited in the Cultural Center Ciudad Movil in 2016 with a body of work created in collaboration with the Colombian photographer, Camo. In the same year, he was nominated for the International Luxembourg Art Prize for his recent work Self-Portrait. Sierra's ongoing body of work continues to be based around his self-representation from which he addresses a homoerotic gaze through the configuration of abject staged environments that he merges himself within as “a subject of aesthetic creation."

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