Breakfast, Paris, 1991
Uwe Ommer   Famous Artists

Photography : color edition, archival pigment print · 40 x 30 x 0.3 cm 15.7 x 11.8 x 0.1 inch

$1,900 1 900 $US
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 6 copies

6 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

40 x 30 x 0.3 cm 15.7 x 11.8 x 0.1 inch Height x Width x Depth

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Credentials

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Description

In this series in black & white and with the same model. The artist represents what for him the object woman of the modern world is.

This captivating artwork presents a striking interplay of photography, painting, and everyday objects, creating a unique and thought-provoking visual narrative. At its core, a monochrome portrait of a woman's face is seamlessly rendered onto a newspaper page, merging the realms of media and human expression. The woman's serene gaze and soft features are meticulously painted, drawing the viewer into her enigmatic presence. Adding a layer of complexity, shadows from blinds cast diagonal lines across her face, evoking a sense of mystery and drama. This interplay of light and shadow introduces a dynamic tension, enhancing the portrait's emotional depth. The surrounding context elevates the artwork's impact: to the right, a piece of a croissant and crumbs lie adjacent to an espresso cup and saucer, suggesting a momentary pause or introspection. A touch of red from the pen placed on the left side of the composition adds a surprising contrast, infusing the scene with vibrancy and directing attention back to the printed page. This masterful convergence of elements entices the viewer to ponder the juxtaposition of daily life and introspection, while inviting reflection on the pervasive influence of media imagery on personal identity. The piece stands as a testament to the artist's ability to weave together disparate components into a cohesive and engaging narrative.

Portrait

Still Life

Food

Colors

Women

Figuration

Faces

Model

Uwe Ommer, Breakfast, Paris

Uwe Ommer

France  • 1943
111 followers

Presentation

Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.

In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.

In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.

In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.

In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.

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