Rue Mouffetard, 1968
Uwe Ommer   Famous Artists

Photography : black & white edition, archival pigment print · 60 x 40 x 0.3 cm 23.62 x 15.74 x 0.1 inch

€1,394 1 394 €
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Verified Reviews : 9.6/10
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About the artwork

Type

Photography : numbered and limited to 6 copies

6 copies available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Signed artwork

Dimensions ( cm • inch )

60 x 40 x 0.3 cm 23.62 x 15.74 x 0.1 inch Height x Width x Depth

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Description

Edition 6 ex. 5AP Printed later More sizes: Small size: 19.68 H x 11.81 W in. Edition 6 ex + 5AP 1964.


This striking black-and-white portrait exudes raw intensity and character. The artwork captures a middle-aged man with a cigarette hanging nonchalantly from his mouth, conveying a sense of rebellion and rugged charm. His furrowed brow and penetrating gaze suggest a complex narrative beneath the surface. The close-up angle emphasizes the texture of his skin and the intricate play of light and shadow, highlighting details like his stubble and the subtle lines of his face. The tousled hair and slightly askew posture add to the informal, candid nature of the image, offering a glimpse into a moment of unfiltered reality. This piece stands out for its gritty realism and the emotional depth it evokes, creating a connection with viewers through its authenticity and the powerful, evocative expression captured in the man's eyes.

Uwe Ommer, a young 20-year-old photographer who recently arrived from Cologne, lives in a small room on Boulevard St-Marcel. Every weekend, he goes to the market on rue Mouffetard to photograph the inhabitants on the fly. These rare images are the testimony of a Paris that has now disappeared and that of one of its emblematic districts.

Portrait

Black and white

Cigarettes

Figuration

Smoke

Men

Eyes

Uwe Ommer, Rue Mouffetard

Uwe Ommer

France  • 1943
111 followers

Presentation

Born in Bergisch-Gladbach, Germany, Uwe Ommer became fascinated with photography at a young age. Initially sparked by his interest in photographing birds, he received his first camera at age 14 and began experimenting with his limited equipment. By the time Ommer was 18, he had given up on birds, but was improving his skills as a photographer. He began working as an apprentice in a camera shop and soon picked up side projects for local papers, shooting everything from car accidents to weddings, when staff photographers were unavailable.

In 1962, Ommer was awarded the first Deutscher Jugend Photo Preis (German Youth Photo Prize) at Photokina 1962 for his photograph of children playing soccer. The following year, he left for Paris (for only one year to learn French, he insisted) and began working as an assistant to advertising photographer Jean Pierre Ronzel. While Ommer did perfect his French, he never did leave Paris.

In 1966 he opened his own photography studio, primarily shooting fashion and advertising photos for small women's magazines. Quickly gaining respect for his work in Paris, Ommer began showing in local galleries and eventually published his first book.

In 1995, Ommer drastically changed gears and decided to embark on a project unlike anything he had ever done before – a project unlike anything anyone had ever done before. As a personal challenge, he set out the following year to document all types of families on every continent at the turn of the millennium. With a Landrover, Rolleiflex camera, portable studio, one assistant, many maps, many guidebooks Ommer visited 130 countries in the following four years, interviewing and photographing over 1000 families. Taschen published the catalog titled “1000 Families" in 2000 when the photographs were first exhibited to the public in Cologne, Germany in September at Photokina 2000. Since then, the exhibition has toured the world and has received praise for the scope and beauty of the photographs, and their simple message of commonality.

In 2002, Uwe Ommer was awarded an Honorary Fellowship to the Royal Photographic Society for the impact of his lifetime of work.

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