Puisque les murs n'arrêtent pas les oiseaux construisons des perchoirs plutôt que des cachots, 2019
Madame  

Print : lithography · 68 x 54 cm 26.8 x 21.3 inch

€450 450 €
Shipping & delivery

Shipped from: France

Delivery to: Spain , € 30

Estimated delivery: Less than one week

Free returns within 14 days, full refund

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Sold with certificate of Authenticity from Editions Atelier Clot

Invoice from the gallery Learn more

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 75 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from Editions Atelier Clot

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

68 x 54 cm 26.8 x 21.3 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2021 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description
Editions Atelier Clot
Clot, Bramsen & Georges printing.
Hand signed and numbered by the artist.
Publisher's dry stamp (Atelier Clot)
Original lithograph

The Clot workshop is one of the oldest and most famous lithography workshops in the world. Since 1896, his name has been associated with that of the greatest painters from the end of the 19th century to the present day. Lautrec, Degas, Renoir, Rodin, Monet, Munch .... or more recently Foujita, Matisse, Calder, Soulages have printed their works there.
Madame, Puisque les murs n'arrêtent pas les oiseaux construisons des perchoirs plutôt que des cachots

Madame

France  • 1982
56 followers

Presentation

For four years now, Madame has been working and reworking old documents and old photographs from the last century up to the 50s / 60s, to make new, more contemporary images. These original visuals have the particularity of being always articulated in the following way: an image and a punch line which dialogue without illustrating each other. Once these small-format collages are finalized, they are scanned to be printed in a very large format and affixed in the street, in order to offer passers-by an open door to an offbeat and playful imagination. It is a question here of proposing to the “spectator” an image with multiple interpretation, an open door towards an elsewhere.

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