Le pipeau ça ne charme que les pigeons, 2023
Print : digigraphy, digital art, digital print · 40 x 60 x 0.1 cm 15.7 x 23.6 x 0 inch
$117
117 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 39
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 15 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digigraphy , digital art , digital print on paper
Dimensions ( cm • inch )
40 x 60 x 0.1 cm 15.7 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The pipe only charms pigeons
* Print made as part of the crowdfunding campaign for the launch of Honey M, a traveling street art apiary that travels to wasteland across France to meet the public and new artists. Honey M is the desire to reconcile nature and culture without opposing city and countryside. In the summer of 2023, Jérémie Gentien and his bees stopped in the Parc de la Métairie.
Original print by street art artist Madame.
Digital print produced on the digigraphic presses of the RLD workshop in Métairie Bruyère.
Limited edition of only 15 copies numbered and signed by the artist.
(The paper and inks used for printing are labeled digigraphie.)
Year 2023 / Honey M Edition.
The numbering on the photograph may differ from that on the delivered proof.
Sold without frame.
Presentation
For four years now, Madame has been working and reworking old documents and old photographs from the last century up to the 50s / 60s, to make new, more contemporary images. These original visuals have the particularity of being always articulated in the following way: an image and a punch line which dialogue without illustrating each other. Once these small-format collages are finalized, they are scanned to be printed in a very large format and affixed in the street, in order to offer passers-by an open door to an offbeat and playful imagination. It is a question here of proposing to the “spectator” an image with multiple interpretation, an open door towards an elsewhere.
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