Tonkar 376-2, 2020
Print : digigraphy, digital art, inkjet · 54 x 40.5 x 0.2 cm 21.3 x 15.9 x 0.1 inch · Ready to hang
€700
700 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 63
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
digigraphy , digital art , inkjet on paper
Dimensions ( cm • inch )
54 x 40.5 x 0.2 cm 21.3 x 15.9 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
59 x 45.5 x 3 cm 23.2 x 17.9 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2019 • Top Seller
Description
Numbered copy 1/30 - hand signed by the artist on the back of the frame
The Tonkar aesthetic breaks out into several processes and techniques, making multi-medium creations: first cardboard, which the artist cuts and assembles; to then photograph it from above.
The photo is then reworked on a computer using image software to produce the final form of the work, with strong color contrasts and varied textures.
The Tonkar aesthetic breaks out into several processes and techniques, making multi-medium creations: first cardboard, which the artist cuts and assembles; to then photograph it from above.
The photo is then reworked on a computer using image software to produce the final form of the work, with strong color contrasts and varied textures.
Presentation
Sensitive to art since childhood, Laurent 'Vida' Carcone soon embarked on a research project into letters and the alphabet, which took him as far as 3D illusion, under the influence of the German and Dutch schools of the 90s.
In 2006, he turned to abstraction.
He multiplies supports and techniques, and deepens his relationship with volumes, sometimes evoking architecture or floating bodies.
In 2012, he began creating what he describes as Géométrie Poétique, a form of mixed-media art that blends sculpture, photography and colorization using image software.
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