Bronze Sculpture for Sale
Senza titolo, 1984
Print : Screen Print, collage · 100 x 150 x 1 cm 39.4 x 59.1 x 0.4 inch
€800
800 €
One of the last works available by this artist
Shipping & delivery
Shipped from: Italy
Delivery to: France , € 40
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from Stefanini Arte - TxT
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 99 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Stefanini Arte - TxT
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Screen Print, collage on paper
Dimensions ( cm • inch )
100 x 150 x 1 cm 39.4 x 59.1 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Serigrafia a colori su Carta Magnani Pescia - Stamperia Studio 3
cm 100x150
firmata e numerata dall'artista sul fronte
Tir. 99 + XXXV esemplari
Presentation
Lucio Del Pezzo (Naples, 1933), a Neapolitan artist, a leading figure in Object Painting. Born and raised in Naples, where he attended the Academy of Fine Arts, Del Pezzo was part of a small nucleus of intellectuals who gravitated around the magazine Sud Documento, a newspaper linked to the Milanese nuclear movement. In 1958, with a group of academy colleagues, he founded the '58 Group, which aspired to a recovery of the local iconological tradition through the breaking of traditional schemes. He moved to Milan in the 1960s and began a new phase of his artistic research, moving from a predominantly material painting to an architectural atmosphere that takes up the themes of metaphysics. The works of this period are characterized by a playful and light-hearted character, aimed at ironizing modern society, consumerism and pop, emphasizing the strengths and weaknesses of everyday life. The strength of his activity has always been his exceptional manual ability, which allowed him to combine creativity with the practice of craftsmanship, creating objects that can be considered the plastic-chromatic translation of a metaphysical atmosphere. In his works we can find figural emblems, such as triangles, circles, cones, or in a more narrative connotation targets, pins, fragments of cornices. These details served to denote iconic elements in his paintings, emphasizing the continuous tension between the playful, playful, mocking and structural, morphological, compositional aspects. In 1965 he participated in the inaugural exhibition of Studio Marconi, with which he initiated an intense relationship of collaboration. Since 1984 he has been teaching "Experimental Research on Painting" at the New Academy of Fine Arts in Milan, where he lives and works.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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