Piccolo Arcobaleno, 1971
Sculpture : steel · 16 x 35 x 14 cm 6.3 x 13.8 x 5.5 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 78
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
steel , without pedestal
Dimensions ( cm • inch )
16 x 35 x 14 cm 6.3 x 13.8 x 5.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
Lucio Del Pezzo (Naples, 1933), a Neapolitan artist, a leading figure in Object Painting. Born and raised in Naples, where he attended the Academy of Fine Arts, Del Pezzo was part of a small nucleus of intellectuals who gravitated around the magazine Sud Documento, a newspaper linked to the Milanese nuclear movement. In 1958, with a group of academy colleagues, he founded the '58 Group, which aspired to a recovery of the local iconological tradition through the breaking of traditional schemes. He moved to Milan in the 1960s and began a new phase of his artistic research, moving from a predominantly material painting to an architectural atmosphere that takes up the themes of metaphysics. The works of this period are characterized by a playful and light-hearted character, aimed at ironizing modern society, consumerism and pop, emphasizing the strengths and weaknesses of everyday life. The strength of his activity has always been his exceptional manual ability, which allowed him to combine creativity with the practice of craftsmanship, creating objects that can be considered the plastic-chromatic translation of a metaphysical atmosphere. In his works we can find figural emblems, such as triangles, circles, cones, or in a more narrative connotation targets, pins, fragments of cornices. These details served to denote iconic elements in his paintings, emphasizing the continuous tension between the playful, playful, mocking and structural, morphological, compositional aspects. In 1965 he participated in the inaugural exhibition of Studio Marconi, with which he initiated an intense relationship of collaboration. Since 1984 he has been teaching "Experimental Research on Painting" at the New Academy of Fine Arts in Milan, where he lives and works.
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