Figure Astratte, Circa 1975

by Remo Brindisi

Print : lithography 50 x 70 x 0.1 cm 19.7 x 27.6 x 0 inch

$155

One of the last works available by this artist

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About the artwork

Type

Numbered and limited to 150 copies

1 copy available

Signature

Hand-signed by artist

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery


Medium

Print: lithography

Dimensions cm inch

50 x 70 x 0.1 cm 19.7 x 27.6 x 0 inch Height x Width x Depth

Framing

Not framed


Tags

Abstract artworks

80s

Abstract art

Colors

Abstract expressionism

Artwork sold in perfect condition

Artwork location: Italy

Lithograph on Fabriano paper signed and numbered in pencil by the artist on the front n. 23/150 ex.
provenance: Dialoghi Club - Biella.

info

Each graphic work is accompanied by a certificate of authenticity and provenance (signature and embossed stamp with description, photographic reference and numbering) issued in accordance with the law as an authorized publisher/subject.

The works can be viewed in Rimini/Riccione, by appointment, without any commitment and kept in the protective folder without a frame, untouched and in perfect condition - any exceptions are always indicated in the description.

The details and images of critical texts and/or catalogs are presented for descriptive and informative purposes only, they are not included in the sale but we will gladly release a copy upon request.

The sample of graphics delivered could have a different numbering based on the availability of the edition.

Shipping with tracking via express courier in professional rigid anti-burglary packaging.
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About the seller

Stefanini Arte • Italy

Artsper seller since 2022

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Collector’s Guide

Imagine it at home

Remo Brindisi, Figure Astratte
Remo Brindisi

Remo Brindisi

Italy  • 1918

Born in Rome, Brindisi was trained by his father, a skilled wood carver, in Pescara and L’Aquila. Having attended the Experimental Centre of Stage Design in Rome for a short period during 1935, he obtained a grant to study at the Institute of Book Decoration and Illustration in Urbino, where he specialized in graphic art and printmaking and served a professional apprenticeship as an illustrator.

He came into contact with Ardengo Soffici and Ottone Rosai in Florence in 1940 and held his first solo show there, with a presentation by Eugenio Montale. The period from 1943 to 1946, which he spent in Venice, saw the start of large-scale involvement in exhibitions and constant participation in the Rome Quadrennial and the Venice Biennial as well as connections with the major private galleries of Milan and Venice.

As a result of a move to Milan, the post-war period saw a short phase marked by the influence of Cubist painting as interpreted in an expressionistic and existential sense. Brindisi formed the Gruppo di Linea together with Gianni Dova and Ibrahim Kodra and was later associated with the realist movement, while maintaining, however, complete autonomy with respect to the major artistic trends of the age. His focus on issues of social commitment and protest culminated in the period 1960–61 with a series of large paintings devoted to the history of Fascism, in which figurative painting of an expressionist character was combined with an approach modelled on the examples of Art Informel. The 1970s and ’80s saw the continuation of the same repertoire distinguished by intense and violent colour and characteristically flattened figures in two-dimensional space.

Brindisi was director of the Macerata Academy of Fine Arts and president of the Milan Triennial in 1972. He died at Lido di Spina in 1996.
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