Bronze Sculpture for Sale
Sans titre X - Série : Effacement de la trace, 2021
Print : ink, lithography, etching · 59 x 44 x 0.2 cm 23.2 x 17.3 x 0.1 inch
€450
450 €
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: France , € 41
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
ink , lithography , etching on paper
Dimensions ( cm • inch )
59 x 44 x 0.2 cm 23.2 x 17.3 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
These prints are unique, dated and numbered 1/1 made from an acid-etched iron plate then printed in 1 copy.
Series entitled “The erasure of the trace or the trace of the erasure? ".
Daniel MOURRE shows in his work the programmed finitude of Man. For this he uses exclusively the manhole cover, which symbolizes industrial human civilization for him, and which he uses through different techniques.
Due to its antinomy, the object allows the artist to highlight the extremes observed in our Society. In this series, he uses his handprints like those found in the caves of Lascaux. Daniel MOURRE shows works from the beginning of Art but also its end. Because if you look closely at the work, you will discover the filigree imprint of a cast iron manhole cover, a completely contemporary object. Is this the beginning of art or its end? The erasure of the trace or the trace of the erasure? what remains or what will remain of Man?
We can see his works as the fossilized imprints of an industrial era that lost meaning and was destroyed. The pieces that it shows join, in their total contemporaneity, a sort of reminder of primitive art, a new first post-collapse art. The artist calls his work: Finitism.
Presentation
Da Mourre shows the excesses of human societies and the need for rapid change in order to avoid the inevitable outbreak of extreme situations, and to confront the programmed finitude of Man caused by a ravaged nature. To represent the impact of man on his environment, Da Mourre created the propagation and impregnation series, like César and his compression and expansion series. To support his approach, unlike the artist Christo who packaged the works to show them,
Da Mourre unwraps a manhole placed on a canvas stamped with its rusty imprint to show its absence. For this, the artist positions himself as an archaeologist from a very distant future who would discover traces and fossils from the Anthropocene era. The manhole cover, which symbolizes industrial human civilization for the artist, is thus declined through different techniques.
Due to its antinomy, the object allows us to highlight the extremes observed in our Society. The consequence is the appearance of rust which results from the destruction of metal, the basis of our contemporary Society. We can see his works as the fossilized imprints of an industrial era that lost meaning and was destroyed. The pieces that it shows join, in their total contemporaneity, a sort of reminder of primitive art, a new first post-collapse art. The public is challenged by the aesthetics of the works which match the darkness of the observation; when the visitor focuses on the technique used, then the absolute coherence of the whole becomes apparent to them.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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