Jonas Story, gravure originale, 2007
Raymond Waydelich  

Print : aquatint, etching, engraving · 40 x 120 x 0.05 cm 15.7 x 47.2 x 0 inch

€1,500 1 500 €

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Shipped from: France

Delivery to: France , € 40

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About the artwork

Type

Print : numbered and limited to 9 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

aquatint, etching, engraving on paper

Dimensions ( cminch )

40 x 120 x 0.05 cm 15.7 x 47.2 x 0 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2013 • Top Seller

Description

Original engraving by Raymond Emile Waydelich painter living in Alsace
Original aquatint signed and numbered in pencil by the artist.

His work, populated by phantasmagorical creatures, is of unusual earthiness, humor and poetry. Passionate about archaeology, RE Waydelich was inspired by it to develop his “archaeology of the future": he assembles, paints and preserves things – such as the world and the environment appear at different times. A tireless collector of objects and photos, Waydelich has built a protean body of work, which combines collages, assemblages and installations. It is a meticulous and fanciful plastic meditation, both melancholic and full of humor, on time and memory.

Raymond Waydelich, Jonas Story, gravure originale
France  • 1938

Presentation

Born in Strasbourg-Neudorf on September 14, 1938, Waydelich is passionate about archeology and mythologies as much "primitive" as urban, he has shaped his own in these improbable animals, in these tasty scenes. Her work is made of tributes to her past and her dreams, but also of nods to the future. He represented France at the Venice Biennale in 1978. His work mainly concerns time and memory, in particular “memory of the future” and the traces of our civilization that will be discovered and interpreted by archaeologists of the future. This work focuses on the object, its anticipated transformation under the action of time or its preservation through the ages (recreated ceramic tires, a garden hut cast in bronze, objects sealed in a vault near the Strasbourg cathedral, not to be opened until 3790 ... Another side of its production is inspired by the “dream” life of a 19th century seamstress, Lydia Jacob, whose sketchbook Raymond Waydelich acquired at the Marché aux chips in 1973. The episodes of Lydia Jacob's life are retraced through a wide variety of plastic means: painting, sculpture, collages, assemblages, watercolors, engravings… These works often take the form of tributes to a famous character , to brands, places, or commemorating Lydia Jacob's imaginary travels. They are frequently invested by a earthy bestiary with half animal and half human expressions (crocodiles, deer, pigs, poultry, fish, etc.), in a spirit poet ique tinged with humor, dreamlike and humanism.

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