Beauty, 2022
Print : giclée · 60 x 62 x 3 cm 23.6 x 24.4 x 1.2 inch
One of the last works available by this artist
Shipping & delivery
Shipped from: Spain
Delivery to: United States , $ 116
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 66 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 62 x 3 cm 23.6 x 24.4 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • United States
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
Presentation
On first sight, artworks made by Nick Smith might appear just like random color chips stitched together to produce incoherent abstract images. However, if you move a few steps back, you will recognize the classic paintings in 8-bit form. Using Pantone swatch cutouts, the Glasgow-born artist recreated some of the most iconic works of art to date including Munch's impressionist piece The Scream, Warhol's portraits of Marilyn Monroe, Vermeer's Girl with The Pearl Earring, and Da Vinci's Mona Lisa, among others. As his work developed, Smith has expanded the range of subjects.
Smith makes his pieces by visually breaking down an image and then reconstructing it with a clever use of the humble Pantone swatch.He was intrigued by the possibility of the human brain and eye to identify the picture even when they don't have all the information but only the traces of the image. Inspired by the days when most people had dial-up Internet connections, and the media files you wanted to receive required a lot of time loading images pixel by pixel, he decided to devote his career to posing challenges to the overwhelming digitalization of all spheres of human life – including art. Smith uses the cards of the famous Pantone swatches to produce paintings that look like they have been heavily pixilated though you can still recognize most of the paintings through the distortion. Subtle variations in tone suggest the highlights and shadows, whilst making a stark commentary on the unforgiving culture of modern digitalization.
Reviews from our customers
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