After the Party FS II.183 (Warhol estate stamped, unsigned), 1979
Print : Screen Print · 54.6 x 77.5 x 0.3 cm 21.5 x 30.5 x 0.1 inch · Ready to hang
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Shipped from: United States
Delivery to: Italy , € 558
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 1000 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Stamped
Technique & Support
Dimensions ( cm • inch )
54.6 x 77.5 x 0.3 cm 21.5 x 30.5 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
72.4 x 95.3 x 2.5 cm 28.5 x 37.5 x 1 inch
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
Screen print in colors on Arches 88 wove paper. Unsigned edition. Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc stamp on verso. Printed by Rupert Jasen Smith with their blind stamp. Published by Grosset and Dunlap, Inc., New York. Edition of 352/1000 (there were also 30 AP, 3 PP, 10 HC). Artwork size 21.5 x 30.5 inches. Frame size 28.5 x 37.5 x 2 inches.
Artwork is in excellent condition. Additional Images Are Available Upon Request. All reasonable offers will be considered.
After the Party 183 is a black and white photo of a table with scattered glasses and plates, brought to life by the rainbow gradient highlighting the subjects. There is an inherent chaos in the work, a feeling of excess, in part due to the reflective quality and haphazard arrangement of the glasses, the bright hues that outline the items, and the manner in which the print was created and aligned. The print evokes ideas of gilded wealth and excess and their perceived glory, hiding a plainness and darkness behind them.
Presentation
Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol is an American painter who revolutionized art from the 1960s to the 1980s, becoming a true legend today.
His real name was Andrew Warhola, and he began his career as a commercial artist. The son of Czech immigrants, he studied at the Carnegie Institute of Technology from 1945 to 1948, where he discovered advertising. He worked for Glamour, Vogue, The New Yorker, and Harper's Bazaar magazines. It was during this time that he began calling himself Warhol. A socialite and eccentric publicist, Andy Warhol left his mark on contemporary art. A leading figure in Pop Art , he understood, before many, the importance of the image in consumer society.
But he quickly abandoned comics, discovering at the exhibition of the famous Leo Castelli gallery, that Roy Lichtenstein had preceded him in this path.
More than twenty years after his death, Andy Warhol remains one of the most influential figures in contemporary art and culture. Warhol's life and work inspire scholars and creators worldwide with his enduring imagery, his personality, and the celebrity image he created for himself. His work continues to be the subject of research by art and cultural scholars. His impact as an artist extends beyond the "15 minutes of fame" of his famous observation: "In the future, everyone will be entitled to 15 minutes of world fame." His curiosity led to a body of work that spans all media and has contributed to the collapse of the boundary between elite and popular culture.
Andy Warhol chose to make reproductions of mass-produced, mass-market products. screen printing . He made Campbell packaging and Coca-Cola bottles the stars of his paintings. He stigmatized American consumer society and the standardization of products. His visuals quickly achieved great success.
In 1962, in addition to Campbell's soups, he revisited photos of stars such as the now famous series that later inspired so many paintings of Marilyn Monroe. His technique was to take black and white photographs , color them, and then reproduce them using screen printing, starting with his own self-portraits. Andy Warhol became the king of Pop Art and reigned over the New York underground scene. Portraits of Elizabeth Taylor, Elvis Presley, and Marlon Brando passed through the artist's hands.
With a keen business sense, Andy Warhol recruited a battalion of assistants in 1963, to whom he delegated the mass production of his creations. He moved into the "Factory," an industrial space that became his studio. The space, whose walls were covered in aluminum foil, became the center of New York's underground life. Andy Warhol made his first films there (Eat and Kiss). He also became interested in the world of music and in 1965 produced the rock band The Velvet Underground, for whom he also designed the album cover.
In 1967, he was the victim of a premeditated assassination attempt by feminist Valérie Solanas, who was one of the actors in his film of the moment, “I, a Man." She declared that “he had too much influence on my life."
Andy Warhol resumed his pictorial activity during the 70s and produced series based on Mao, Mick Jagger, Cassius Clay or commissioned portraits: Ladies and Gentleman, 1975. Often nicknamed the Pope of Pop Art, he encouraged New York artists such as the painter Jean Michel Basquiat, the singer Lou Reed and the photographer Robert Mapplethorpe in the early 80s. The genius of Pop art died on February 22, 1987 following an operation.
What should we see in Warhol's work? A reflection of an era, of a society? A great cynicism? "If you want to know everything about Andy Warhol, you only have to look at the surface of my paintings, my films, of me. There I am. There's nothing underneath."
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