“ Flash – November 22, 1963 ” - II.39., 1968
Print : Screen Print · 53.5 x 53.5 x 1 cm 21.1 x 21.1 x 0.4 inch
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About the artwork
Type
Print : numbered and limited to 200 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
53.5 x 53.5 x 1 cm 21.1 x 21.1 x 0.4 inch Height x Width x Depth
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Art gallery
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Description
Original silkscreen from the portfolio “ Flash – November 22, 1963 ", by Andy Warhol.
Signed by Andy Warhol in pen on the reverse (lower right)
Numbered on the reverse on the lower left.
From the limited edition of only 200.
Inspired by the assassination of President John F. Kennedy, the portfolio “ Flash – November 22, 1963 “ explores the relationship between mass media, public memory and the construction of historical events through printed images. Warhol examines the way newspapers and television transformed a national trauma into a sequence of endlessly reproduced visual symbols.
This composition depicts the Texas School Book Depository in Dallas, with a bold white arrow directing the viewer's attention to the sixth-floor window from which the fatal shots that killed President John F. Kennedy were fired.
The Flash portfolio consists of eleven screenprints that combine newspaper headlines, photographic imagery and bold colour to investigate the influence of the media in shaping collective memory. By appropriating images originally distributed through newspapers and television, Warhol blurred the boundaries between journalism, history and fine art.
Printed by Aetna Silkscreen Products, Inc., New York.
Published by Racolin Press, Inc., Briarcliff Manor, New York.
Literature: Feldman & Schellmann, Andy Warhol Prints: A Catalogue Raisonné 1962–1987, II.39.
Sheet size: approx. 53.5 × 53.5 cm.
The work is offered unframed.
Handmade, custom framing is available upon request through our professional framing workshop, offering a wide range of styles, colors, and materials.
Andy Warhol (1928–1987) is regarded as one of the most influential artists of the twentieth century and the undisputed pioneer of Pop Art. Through his groundbreaking paintings, screenprints, films and publications, he redefined the relationship between art, celebrity, advertising and mass communication.
His works are represented in the world's leading museum collections, including the Museum of Modern Art, New York, the Whitney Museum of American Art, New York, the Tate Modern, London, the Centre Pompidou, Paris, and The Andy Warhol Museum, Pittsburgh.
Authenticity and provenance guaranteed.
Delivered with a certificate of authenticity.
Worldwide shipping, tax-friendly to the USA and other countries.
Custom handmade framing available on request.
Presentation
Born on August 6, 1928, in Pittsburgh, Pennsylvania, Andy Warhol is an American painter who revolutionized art from the 1960s to the 1980s, becoming a true legend today.
His real name was Andrew Warhola, and he began his career as a commercial artist. The son of Czech immigrants, he studied at the Carnegie Institute of Technology from 1945 to 1948, where he discovered advertising. He worked for Glamour, Vogue, The New Yorker, and Harper's Bazaar magazines. It was during this time that he began calling himself Warhol. A socialite and eccentric publicist, Andy Warhol left his mark on contemporary art. A leading figure in Pop Art , he understood, before many, the importance of the image in consumer society.
But he quickly abandoned comics, discovering at the exhibition of the famous Leo Castelli gallery, that Roy Lichtenstein had preceded him in this path.
More than twenty years after his death, Andy Warhol remains one of the most influential figures in contemporary art and culture. Warhol's life and work inspire scholars and creators worldwide with his enduring imagery, his personality, and the celebrity image he created for himself. His work continues to be the subject of research by art and cultural scholars. His impact as an artist extends beyond the "15 minutes of fame" of his famous observation: "In the future, everyone will be entitled to 15 minutes of world fame." His curiosity led to a body of work that spans all media and has contributed to the collapse of the boundary between elite and popular culture.
Andy Warhol chose to make reproductions of mass-produced, mass-market products. screen printing . He made Campbell packaging and Coca-Cola bottles the stars of his paintings. He stigmatized American consumer society and the standardization of products. His visuals quickly achieved great success.
In 1962, in addition to Campbell's soups, he revisited photos of stars such as the now famous series that later inspired so many paintings of Marilyn Monroe. His technique was to take black and white photographs , color them, and then reproduce them using screen printing, starting with his own self-portraits. Andy Warhol became the king of Pop Art and reigned over the New York underground scene. Portraits of Elizabeth Taylor, Elvis Presley, and Marlon Brando passed through the artist's hands.
With a keen business sense, Andy Warhol recruited a battalion of assistants in 1963, to whom he delegated the mass production of his creations. He moved into the "Factory," an industrial space that became his studio. The space, whose walls were covered in aluminum foil, became the center of New York's underground life. Andy Warhol made his first films there (Eat and Kiss). He also became interested in the world of music and in 1965 produced the rock band The Velvet Underground, for whom he also designed the album cover.
In 1967, he was the victim of a premeditated assassination attempt by feminist Valérie Solanas, who was one of the actors in his film of the moment, “I, a Man." She declared that “he had too much influence on my life."
Andy Warhol resumed his pictorial activity during the 70s and produced series based on Mao, Mick Jagger, Cassius Clay or commissioned portraits: Ladies and Gentleman, 1975. Often nicknamed the Pope of Pop Art, he encouraged New York artists such as the painter Jean Michel Basquiat, the singer Lou Reed and the photographer Robert Mapplethorpe in the early 80s. The genius of Pop art died on February 22, 1987 following an operation.
What should we see in Warhol's work? A reflection of an era, of a society? A great cynicism? "If you want to know everything about Andy Warhol, you only have to look at the surface of my paintings, my films, of me. There I am. There's nothing underneath."
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