Femme au Jardin (print), 2023
Jone Hopper   Emerging artists

Print : lithography · 59.4 x 42 x 0.1 cm 23.4 x 16.5 x 0 inch · Ready to hang

€270 270 €
Shipping & delivery

Shipped from: France

Delivery to: Germany , € 39

Estimated delivery: Less than one week

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 50 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

59.4 x 42 x 0.1 cm 23.4 x 16.5 x 0 inch Height x Width x Depth

Artwork dimensions including frame

72 x 52 x 2 cm 28.3 x 20.5 x 0.8 inch

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Credentials

Vetted seller since 2024 • Top Seller

Discount

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Description

This is an offset print on thick paper (300 g/m²), hand-signed and numbered by the artist Jone HOPPER, edition of 50, this being number 20/50. Shipped rolled in a secure tube.

Jone HOPPER is a French street artist born in 1977. In the late 1980s, he practiced his art in the streets through an emerging movement at the time: graffiti. Known for his characters and aerosol signatures, he co-founded the collective TBS (The Brutal Style) with Skepa and other committed graffiti artists. Despite being a discreet artist, his works are highly sought after.

Shipped from France via Colissimo with signature and insurance.

Portrait

Art brut

Urban art

Colors

Women

Neo-Pop

Post-cubisme

Jone Hopper, Femme au Jardin (print)

Jone Hopper

France  • 1977
125 followers

Presentation

Jone Hopper made his "classes" in the streets through an emerging movement at this time, graffiti. He tags his name on the streets, on walls and on trains. Enigmatic, discreet, cultivating secrecy, the artist still remains faithful to the spirit of graffiti today and wishes to remain anonymous, considering that it is the work that must be highlighted and not the character.

He compares his painting to a piece of Hip Hop, he acts like a sampler ... swabs, cuts, assembles and thus creates new images.

He composes canvas, brings together several universes, as others recompose new pieces with small loops of music borrowed from jazz, classical music, funk etc ...

His works are a bridge between the artistic movements "classic", "modern" and "contemporary" and thus translates a thought, a nod to many of his predecessors whom he admires. "

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