Sans-titre, 1990
Print : lithography · 91 x 63 x 0.1 cm 35.8 x 24.8 x 0 inch
$586
586 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 84
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 75 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
91 x 63 x 0.1 cm 35.8 x 24.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Hand signed lower right and numbered 11/75.
Presentation
Toshimitsu Imai is a Japanese artist; he was born in Kyoto in 1928 and died in 2002. His work bridges abstraction and Japanese sensibility.
He was accepted at the Tokyo Arts Academy in 1948. In 1951 he was awarded the Kansai-Shinseisaku and in 1952 he received the prize of the 5th Shinseisaku Salon. In 1952, he moved to Paris and joined the Académie de la Grande Chaumière and the Sorbonne to study Medieval History and Philosophy.
In 1953 and 1954 he exhibited his works in Paris at the Salon de l'Art Sacré (Religious Art Salon). He becomes friends with art critic Michel Tapié who influences his work, and he switches from Fauvism to abstraction. However, figurative motifs, poetry and text and remain present in his work.
He was accepted at the Tokyo Arts Academy in 1948. In 1951 he was awarded the Kansai-Shinseisaku and in 1952 he received the prize of the 5th Shinseisaku Salon. In 1952, he moved to Paris and joined the Académie de la Grande Chaumière and the Sorbonne to study Medieval History and Philosophy.
In 1953 and 1954 he exhibited his works in Paris at the Salon de l'Art Sacré (Religious Art Salon). He becomes friends with art critic Michel Tapié who influences his work, and he switches from Fauvism to abstraction. However, figurative motifs, poetry and text and remain present in his work.
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