Submission, 2022
Print : fine art print · 46.99 x 41.6 x 1 cm 18.5 x 16.4 x 0.4 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: United States
Delivery to: Germany , € 209
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 50 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
46.99 x 41.6 x 1 cm 18.5 x 16.4 x 0.4 inch Height x Width x Depth
Artwork dimensions including frame
54.2 x 48.79 x 1.5 cm 21.3 x 19.2 x 0.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2020 • Top Seller
Description
Medium: Photopolymer gravure print on Somerset Satin White 300gsm paper, with unique carbon and compressed charcoal overlay hand-drawn by the artist.
Notes: Signed, Dated, Titled and Numbered in Pencil. Excellent Condition. Publishers COA Included. Framing: Prints arrive float-mounted in a light maple wood frame, fitted with museum grade UV plexiglass for protection
About: Faceless subjects speak volumes in elegant, monochromatic works by London-based artist Nigel Howlett.
"Submission" is based on an original work from the artist's debut solo show – . Each print has been intricately hand-finished with layered carbon and compressed charcoal. This detailed technique mimics Howlett's slow and meticulous drawing process of working on an original, echoing his rich monochrome palette.
“The tension of the piece lies in a paradox - the character is both captive and in a state of release"
Presentation
Nigel Howlett lives and works in London, United Kingdom.
His stylized, figurative drawings and paintings draw on elements of the surreal and uncanny to explore the complexities and nuances of human experience. Many of Howlett's recent works evolved as a direct response to the strangeness of the past few years in relation to the pandemic as well as wider political and social issues, and explore the psychological impacts both from a personal and collective point of view.
His work currently centers around a faceless character who appears dressed in a sleek, futurist jumpsuit with matching boots and metallic gloves. While this character is anonymous and cartoon-like in physicality, the body language is highly expressive and as the viewer, we find ourselves able to instinctively understand and relate to their actions.
The compositions are strikingly cinematic and minimal, employing symbolism to evoke a distinct emotional state or experience without prescribing a specific meaning. This symbolic visual language is inspired by the artist's interest in mysticism, spirituality and nature, but also appeals to our shared humanity and ability to communicate beyond the verbal.
Howlett works almost exclusively in monochrome, and the sections of empty space create a sense of silence and stillness. While the scenes are meticulously built up in layers, sketched and planned before the final piece is executed, Howlett leaves evidence of his mark-making process, drawing attention to both his physical presence and the images materiality. As such, the works invite a slow, meditative viewing experience that counters the rapid consumption of digital imagery, and the restlessness of contemporary culture.
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