Untitled from The International Avant-Garde (volume I), 1962
Lucio Fontana   Master Artists

Print : etching · 26 x 19 x 0.1 cm 10.2 x 7.5 x 0 inch · Ready to hang

$10,641 10 641 $US

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 25 copies

1 copy available

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

26 x 19 x 0.1 cm 10.2 x 7.5 x 0 inch Height x Width x Depth

Artwork dimensions including frame

33.5 x 26 x 3 cm 13.2 x 10.2 x 1.2 inch

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Credentials

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Description

Lucio Fontana  
Untitled from The International Avant-Garde (volume I), 1962
Hand signed and numbered 'XIV/XXV L. Fontana'.
This work is number 14 of 25 examples numbered X to XXV given to collaborators apart from the edition of 100
Sheet size: 26 x 19 cm
Frame size: 33.5 x 26 x 3 cm
Published by Galleria Schwartz, Milano.

Abstract

Abstract art

Beige

Lucio Fontana, Untitled from The International Avant-Garde (volume I)

Lucio Fontana

Argentina  • 1899  - 1968
112 followers

Presentation

Italian-Argentinian painter and sculptor of the 20th century, Lucio Fontana remains today known as the founder of the so-called “spatial" artistic movement. From his birth on February 19, 1899 in Rosario de Santa Fe, until his death on September 7, 1968 in Comabbio, Lucio Fontana lived between Argentina and Italy.

As a teenager, he entered the Special Building School of Milan, and then became a sculptor in the 1920s, under the tutelage of his master, Adolfo Wildt.

In the 1930s, Fontana joined forces with French and Italian expressionist and abstract painters. He then began to work with new materials such as plastic, concrete, bronze and ceramics.

During World War II, Lucio Fontana returned to Argentina where he took up a teaching post at the School of Fine Arts in Buenos Aires. Despite the distance, the artist does not forget the old continent and calls for an artistic protest against the war. In 1946, he published the “Manifesto Blanco", the first manifesto on spatialism, which pushed artists to deny “the uses of known forms of art". This book feeds a whole reflection on time and space.

From this research, Lucio Fontana will find his signature pictorial style: monochrome canvases with deep tears that mark a double escape, symbolic and material. Influenced by Gyula Kosice, light also occupies a central place in his work. The first “space" exhibition brings together the work of many painters such as Giancarlo Carozzi, Gianni Dova or Cesare Peverelli ... but, it is Fontana that the young generation sees as a spiritual father.

The latter's notoriety exploded with the general public in 1961, when the famous gallery owner Iris Clert devoted a solo exhibition to him. In 1966, it was around MoMA in New York to honor him. In France, it was not until 1987 to see such a retrospective devoted to the artist, at the Center Pompidou.

Now you can admire his creations in the collections of all the major cultural institutions in the world.

Modernism

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