The Precious Stones (Amethyst, Ruby, Emerald, Topaz), Set of 4, Circa 1990
Print : lithography · 73 x 124 x 0.1 cm 28.7 x 48.8 x 0 inch
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Shipped from: Australia
Delivery to: United States , $ 266
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 300 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Plate signed
Technique & Support
Dimensions ( cm • inch )
73 x 124 x 0.1 cm 28.7 x 48.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Description
Reproduction Colour Lithograph of Original, From Mucha Foundation
73 x 31 cm each
Embossed Mucha Foundation lower middle
Edition 119/300, 102/300, 108/300, 107/300
Signed by the printer in pencil lower right
In this series, women personify four precious stones. In each panel, the upper part of the composition is dominated by the female figure, while the lower part features a realistically drawn flower whose colour echoes that of the particular gemstone. The colour scheme of each panel - including the flowing robes, the hair decorations, the mosaic halos and even the colour of the woman's eyes – recalls the colour of the stone. This lends a pleasing harmony to each image.
Presentation
Alfons Mucha was a Czech artist born in 1860 in Ivancice, Czech Republic, and died in Prague in 1939. As a child, he drew a lot and used to caricature his classmates. A good calligrapher and draughtsman, he was first hired as a clerk and then worked for the Kautsky-Brioché-Burghardt publishing house. He later settled in Mikulov, where he painted landscapes and portraits . In 1885, he entered the Munich Academy of Arts for two years. At the age of 27, he left for Paris, where he enrolled at the Académie Julian and was then hired by the important publishing house Armand Colin.
Living in Montmartre, Alphons Mucha met many artists, including Gauguin. He was also interested in photography and created illustrations for the press. In 1894, he was led by chance to create his first poster for a play by Sarah Bernhardt, "Gismonda." His poster was a real success, and he collaborated with Sarah Bernhardt for six years under an exclusive contract for the theater. With the actress having an international reputation, many brands flocked to Mucha's door to commission works from him (Job cigarettes, Lu biscuits, Ruinart champagne, etc.).
Gradually, Mucha's style was given the name Art Nouveau , and commissions poured in from all over the world. In 1897, the Galerie la Bodinière organized an exhibition in his honor, and other exhibitions followed, each one more prestigious. In 1900, he was asked to participate in the World's Fair, and in 1905, he left for New York, where his arrival was a major event. He then returned to France, where he wanted more time to devote to painting. In 1908, he completed his last major Art Nouveau work: the decoration of the German Theatre.
In 1910, Mucha decided to devote the rest of his life to painting twenty large-scale paintings depicting a symbolic epic of the Slavic people since Antiquity. Mucha then undertook a study trip, and in 1911, settled in Zbirov where he worked on these canvases. In 1919, the first seven canvases were exhibited in Prague. The first eleven went to the United States and caused a sensation. In 1921, he returned to Europe for good, and in 1928, his Slavic epic was officially handed over to the city of Prague.
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