Bronze Sculpture for Sale
Autumn, 2016
Print : Screen Print · 66.3 x 26.2 x 0.1 cm 26.1 x 10.3 x 0 inch · Ready to hang
CHF 1,265
1 265 CHF
Shipping & delivery
Shipped from: China
Delivery to: Switzerland , CHF 195
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 300 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
66.3 x 26.2 x 0.1 cm 26.1 x 10.3 x 0 inch Height x Width x Depth
Artwork dimensions including frame
94 x 52 x 3 cm 37 x 20.5 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This elegant lithograph embodies the grace of the Art Nouveau movement. A poised female figure dominates the vertical composition. She wears a flowing, cream-colored gown that cascades in rhythmic folds. Her silhouette is framed by intricate organic patterns and gilded ornaments. The palette relies on warm ochres and deep reds. These tones create a sophisticated harmonic balance.
The artist emphasizes linear precision and decorative symmetry. Soft contours blend the human form with the stylized background. A halo-like circle encircles her head, adding a timeless, almost ethereal quality. The composition draws the eye upward through sweeping vertical lines. This technique evokes a sense of serenity and nobility. Every detail reflects the turn-of-the-century obsession with nature and luxury. The delicate shading on the fabric suggests a tactile softness. Subtle gold accents highlight the ornate borders. The gaze of the woman remains serene and distant. She holds a small object with a gentle grip. This refined artwork captures the idealized feminine beauty of its era through a meticulous arrangement of floral motifs and architectural framing.
Presentation
Alfons Mucha was a Czech artist born in 1860 in Ivancice, Czech Republic, and died in Prague in 1939. As a child, he drew a lot and used to caricature his classmates. A good calligrapher and draughtsman, he was first hired as a clerk and then worked for the Kautsky-Brioché-Burghardt publishing house. He later settled in Mikulov, where he painted landscapes and portraits . In 1885, he entered the Munich Academy of Arts for two years. At the age of 27, he left for Paris, where he enrolled at the Académie Julian and was then hired by the important publishing house Armand Colin.
Living in Montmartre, Alphons Mucha met many artists, including Gauguin. He was also interested in photography and created illustrations for the press. In 1894, he was led by chance to create his first poster for a play by Sarah Bernhardt, "Gismonda." His poster was a real success, and he collaborated with Sarah Bernhardt for six years under an exclusive contract for the theater. With the actress having an international reputation, many brands flocked to Mucha's door to commission works from him (Job cigarettes, Lu biscuits, Ruinart champagne, etc.).
Gradually, Mucha's style was given the name Art Nouveau , and commissions poured in from all over the world. In 1897, the Galerie la Bodinière organized an exhibition in his honor, and other exhibitions followed, each one more prestigious. In 1900, he was asked to participate in the World's Fair, and in 1905, he left for New York, where his arrival was a major event. He then returned to France, where he wanted more time to devote to painting. In 1908, he completed his last major Art Nouveau work: the decoration of the German Theatre.
In 1910, Mucha decided to devote the rest of his life to painting twenty large-scale paintings depicting a symbolic epic of the Slavic people since Antiquity. Mucha then undertook a study trip, and in 1911, settled in Zbirov where he worked on these canvases. In 1919, the first seven canvases were exhibited in Prague. The first eleven went to the United States and caused a sensation. In 1921, he returned to Europe for good, and in 1928, his Slavic epic was officially handed over to the city of Prague.
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