Chamonix, 1966

Joan Gardy Artigas  

Mid-Century original lithograph entitled " Chamonix " hand signed by Joan Gardy Artigas and numbered 12/75 on arches vellum rag paper from the 1966-70 edition. Presented in period 1960's chrome frame.

Joan, at the time of the creation of this image, was deeply involved in sexualising art because as he saw it sex was the truest , rawest expression of our nature. He does this by using and accentuating body parts in the image with strong colour. His view is that the creation of a work of art should speak about the artist and not simply show us the subject. Through eroticising the art it prevents it from becoming purely decorative.

In his speech 'eroticising the world' in 1982 Artigas talks about the creative process of lithography :  If I want power, impact, a startling image, I use lithography. With the technique of printing directly off the stone, it is possible to get a maximum of ink on the paper. This direct impression from stone or zinc allows the kind of powerful color that is impossible to get with an off-set process. (Think, for example, of the strength of Toulouse Lautrec's posters.)