Plongeon, triptyque, 2025
Print : Screen Print, tirage fine art, engraving · 60 x 120 x 0.2 cm 23.6 x 47.2 x 0.1 inch
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Shipped from: France
Delivery to: Germany , € 50
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Sold with certificate of Authenticity from Editions l'Estampe, Strasbourg
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 90 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Editions l'Estampe, Strasbourg
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
60 x 120 x 0.2 cm 23.6 x 47.2 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2013 • Top Seller
Description
New original edition by Ivan Messac, presented as a triptych, three original 60 x 40 cm screen prints together.
Signed and numbered in pencil by the artist.
This triptych captures an elegant aerial dance against a captivating blue background. The white silhouettes float, capturing a moment of suspended grace. Each panel chronicles a stage of fluid movement, from initial momentum to fleeting union and then controlled separation. The simplicity of the forms perfectly encapsulates the essence of movement and human interaction. The deep blue, symbolizing infinity and serenity, contrasts with the dazzling purity of white, accentuating the dynamism of the figures. This play of minimalist colors and shapes emphasizes elegance and lightness, transforming a simple leap into a profound artistic expression.
Presentation
Although he is younger than the artists of the Narrative Figuration, Ivan Messac is associated to the movement and he is featured in the show Mythologies quotidiennes at the Musée d'art moderne de la ville de Paris, in 1977.
Ivan Messac takes part in numerous artistic events such as the Paris Biennial or Sigma in Bordeaux. He also produces sets and costumes for performances. His work is inspired by pop art, Italian futurism, Maïakovski but also by Jimi Hendrix and Hollywood icons.
After painting, sculpture becomes his favorite medium in which he works and experiments. He works in Carrara and creates his own personal style, starting from his first sculptures produced in 1983. Alain Monvoisin writes an article about his work in the Dictionnaire de la sculpture moderne et contemporaine (Dictionary of Modern and Contemporary Sculpture) published in November 2008.
The many public commissions he received allowed him to develop his practice. In 2000 he returns to painting, and he resumes the critical vision that he used to display in his youth works.
Since 2003, his work has been featured by various institutions dedicated to Narrative Figuration, such as the Dôle and Orléans Museums; in 2006 he had a solo show at the Laurent Strouk Gallery, entitled Adam & Eve.
One of these works is now a part of the FNAC (the French National Fund for Contemporary Art) collection. Messac plays with humor with the image of the first couple, displayed with a mastery of the color, of the movement and of the material. The weak woman and the easily influenced man are shown in this painting with looks and postures that remind us of the flamboyant star couples that often end up meeting tragic fates.
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