Aux courses, devant les tribunes, 1990
Print : lithography · 48 x 36 x 0.5 cm 18.9 x 14.2 x 0.2 inch
€800
800 €
Delivered in time for Christmas
One of the last works available by this artist
Shipping & delivery
Shipped from: Belgium
Delivery to: Germany , € 64
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from Studio d'Arte Perna
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 200 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from Studio d'Arte Perna
Invoice from the gallery
Signature
Plate signed
Technique & Support
lithography on paper
Dimensions ( cm • inch )
48 x 36 x 0.5 cm 18.9 x 14.2 x 0.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Belgium
Credentials
Vetted seller since 2023
Description
"At the Races, in Front of the Grandstands," painted by Edgar Degas in 1879. This is a beautiful lithograph after 1990, signed on plate, cm. 48 x 36 (inches 18.89" X 14.17").
The work is taken from the art volume: "Impressionismo", published by my father's Studio d'Arte Perna in 1964. The print run is 200 copies with a single Roman numbering I/CC.
The photos also include the Certificate of Guarantee, the Notarial Deed, to guarantee circulation, and the Publisher's Embossed Stamp. The page is in excellent condition.
Presentation
Edgar Degas, born in 1834 in Paris and died in 1917. He dedicated his days to drawing and learned a lot from great painters, who decorate the walls of the Louvre. This fervor led him to become a copyist in the museum. His drawing strokes were inspired by Dürer, Goya or even Rembrandt, before the artist joined Ecole des Beaux-Arts.
With Monet, Cézanne and Renoir, he participated in changing the world or art with the impressionist movement. Together, they went against academicism. His paintings and themes evolved. Degas took a genuine interest in everyday individuals, women providing special care to young Opera dancers.
He captured body movements, and due to this, sculpture became essential to his art. It was a way to experiment before painting, a way to stabilize an attitude.
The sculptures he created from 1878 until 1910 were in wax or composite materials. In 1917, when the artist died, 152 waxed sculptures were found in his Parisian studio, sometimes in a bad state. Of all his wax models, 74 sculptures were in bronze. A first edition of 22 items were given to the Hébrard foundry in 1920. Another edition was for the Valsuani foundry in 1998. In order to retain truth, the existing imperfections on the wax were preserved on the bronzed ones: cracks, truncated elements like an arm, a leg, a horse's leg....
We offer you the second edition here: the edition is limited to 29 copies for each topic: 20 copies lettered from A to T and 9 examples are numbered from I/IX to IX/IX. The Degas Committee, made up of heirs of the artist and owner of moral law acknowledge the authenticity. Each sculpture is accompanied with a certificate of authenticity issued by the Degas Committee.
Degas's work is part of many important museums today: Musée d'Orsay in Paris, Tate Gallery in London, the Metropolitan Museum of Art in New York, Museo Soumaya in Mexico City...
Reviews from our customers
All our reviews are extracted from Verified Reviews
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