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Klima Skeptiker,
Circa 2025
Julien Bonet
Print : AI image
50 x 40 x 0.1 cm 19.7 x 15.7 x 0 inch
$1,092
1 092 $US
Secure delivery : United States
+ $101
Shipping : One to two weeks
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About the artwork
Type
Numbered and limited to 3 copies
3 copies available
Signature
Plate signed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
50 x 40 x 0.1 cm 19.7 x 15.7 x 0 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Germany
Year: 2024–25
Technique: Promptography (AI-generated image art) on Hahnemühle Fine Art paper
Edition: 3 + 1 AP
Three giant blocks of ice, stacked on top of each other, enclose a body. They slowly melt, dripping into a puddle forming in the hot desert sand. Only the bare legs betray the humanity beneath the frozen monument.
is an image of paradox: someone persevering in the midst of thawing, wrapped in evidence they refuse to acknowledge. The figure wears their own melting like a shield—or like a denial. It's a silent accusation, but also a portrait of our collective turmoil: between knowledge and action, between urgency and repression.
Historically, the motif is reminiscent of apotropaic masks, which were once intended to protect against the forces of nature. But here the logic shifts: The mask no longer protects; it isolates—a fragile monument of doubt in the face of undeniable reality.
Bonet's work makes tangible how the climate crisis and denial intertwine: the more visible the change, the more strongly some cling to the illusion of immutability. It thus becomes a mythical image of a present in which our survival depends on how we deal with the truth.
Part of the ongoing series – contemporary myths between fear, ritual and collective memory.
Signed, dated and edition numbered by the artist on a separate label.
About the seller
PHOTO EDITION BERLIN • Germany
Artsper seller since 2015
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Presentation
Inspired by European winter customs and carnival traditions, he creates contemporary archetypes: the , wrapped in relics of an ecologically devastated world; the , a smoking scapegoat for environmental destruction; or the , whose body, made of plastic objects, conjures up both prosperity and overconsumption. Each figure is a multifaceted reflection on fear, identity, and ritual forms of expression in the postdigital present.
Bonet's work avoids any simplification of AI as a mere tool. His images are new mythical languages—forged from human intuition, machine logic, and cultural memory. This creates speculative artifacts of a world grappling with surveillance, migration, climate collapse, and fragile sense of belonging.
With his work, Julien Bonet creates visual myths that appear both archaic and urgently contemporary – and sharpen our awareness of the paradoxes of our time.
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