Embrosos, 2024
Print : Textiles, embroidery · 47 x 47 x 2 cm 18.5 x 18.5 x 0.8 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: France
Delivery to: Germany Free delivery
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 20 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Textiles , embroidery on textile
Dimensions ( cm • inch )
47 x 47 x 2 cm 18.5 x 18.5 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
50 x 50 x 4 cm 19.7 x 19.7 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025
Description
Technique: Embroidery using 19 colors and composed of 582,653 stitches on black velvet, made in Lyon, France.
Edition: Limited series of 20 copies.
Signature: Signed and numbered on the back of the certificate of authenticity by Ceet.
Each piece is carefully prepared and shipped, ensuring it arrives in perfect condition and ready to enjoy upon receipt.
Presentation
CEET FOUAD, [pronounced: “see-tee"], born in Oran, Algeria in 1971, of Moroccan origin, he moved to Toulouse in 1978 at the age of 7. Coming from the second generation of graffiti artists in the world, he began painting in the 1980s.
The revolution (the art of evolution) of the chicken people...a fight for dignity.
As is often the case at the origin of an idea, there's an anecdote. CEET's chicken is no exception. This artist, originally from Toulouse, exhibits his graffiti all over the world. He has lived in Hong Kong for about ten years. Upon his arrival in China, not speaking Mandarin and not always finding English-speaking people to talk to, he got into the habit of drawing to make himself understood. In restaurants, for example, and that's how his first chick was born! This amused his friends a lot, and one of them, a toy designer, suggested he make a figurine.
Little by little, the bird became a leitmotif, eventually establishing itself as a major figure in his creative universe, in the form of graffiti, but also sculptures and inflatable structures. The chicken, mass-produced and consumed in every corner of the world, took on symbolic value for him. Due to its banal and universal character, the animal, considered a simple foodstuff, raised in deplorable conditions, emblematic of junk food because it is pumped up with hormones and stuffed with antibiotics, is rehabilitated in its condition as a living creature worthy of respect.
CEET gives each of its "chickens" a personality, and even goes so far as to do so with affection. Like Walt Disney's mouse, CEET's "Chicano" appeals with humor.
From there to seeing it as a metaphor for the human, there is only a feather...
His work has been presented in numerous solo exhibitions around the world, from New York to Hong Kong, via Singapore, London, Taipei and Marrakech.
These international events have helped to establish its reputation and take its colorful and committed world well beyond French borders.
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