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Hommage à San Lazzaro, 1975
Henry Moore   Master Artists

Print : lithography · 26.5 x 35.5 x 0.1 cm 10.4 x 14 x 0 inch

€1,850 1 850 €
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Shipped from: France

Delivery to: Germany , € 42

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 75 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

26.5 x 35.5 x 0.1 cm 10.4 x 14 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2016 • Top Seller

Description

Original lithograph printed on Arches Vellum, signed in pencil by the artist, numbered.

Publisher: 20th Century

Printer: Curwen Studio, London.

This lithograph is part of the series “San Lazzaro and his Friends", published in 1975, in homage to Gualtieri di San Lazzaro, founder of the magazine XXe Siècle.

Abstract

Nude

Abstract art

Black

Grey

Henry Moore, Hommage à San Lazzaro

Henry Moore

United Kingdom  • 1898  - 1966
50 followers

Presentation

Henry Moore was an English artist , born in 1898 and died in 1986.

Born into a working-class family, Henry Moore was one of the first sculptors to bring a distinctive form of artistic modernism to British society in the early 20th century, drawing inspiration from primitive art.

Henry Moore achieved great success from the 1930s onward; he taught at several universities, and his creations quickly reached the top of the art market. By the late 1940s, he was considered the voice of British sculpture , having achieved worldwide renown. However, as his recognition and popularity grew, particularly through commissions, he preferred to live simply after the end of World War II and devoted most of his income to the Henry Moore Association to support education, promotion, and the dissemination of art.

Henry Moore's sculptures were primarily inspired by the female body, and he gradually moved toward more abstract and elongated forms. His signature motif was an elongated figure, and he worked primarily in monumental bronze. He created numerous works documenting the Blitz during World War II in London, which are housed in the British Museum.

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