Portraits Imaginaires 7.5.69 (d'après), 1969
Print : lithography · 65.5 x 50 x 0.1 cm 25.8 x 19.7 x 0 inch · Ready to hang
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About the artwork
Type
Print : numbered and limited to 250 copies
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Plate signed
Technique & Support
lithography on paper
Dimensions ( cm • inch )
65.5 x 50 x 0.1 cm 25.8 x 19.7 x 0 inch Height x Width x Depth
Artwork dimensions including frame
73.5 x 58 x 2 cm 28.9 x 22.8 x 0.8 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 7.5.69
The edition: A 246/250.
Plate signed.
Publisher: Éditions Cercle d'Art, Paris.
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In the early months of 1969, as Pablo Picasso approached his 88th birthday, he embarked on what would become one of the most spontaneous and imaginative series of his career: Portraits Imaginaires. Despite being in the final years of his life, the master showed no signs of slowing down. Instead, he unleashed a flurry of creativity—brilliant, humorous, and deeply expressive—through a series of fantastical faces that exist somewhere between theater, dream, and abstraction.
It all began when Fernand Mourlot, Picasso's trusted printer and longtime collaborator, visited him at his home in Mougins. Mourlot brought with him sheets of lithographic transfer paper—light, portable surfaces on which Picasso could draw directly with special crayons and inks. Rather than using them for preparatory sketches or carefully planned compositions, Picasso leapt into action. Almost daily over a few weeks, he created image after image, sometimes several in a single sitting. By March, he had completed 29 striking lithographs.
These works were not portraits in the traditional sense. They were invented characters—imaginary visages of jesters, courtiers, tragic actors, and dreamlike creatures—each brimming with personality, wit, and color. They carried the spirit of the Commedia dell'arte, of carnivals and cabarets, of lives imagined rather than lived. The series reflected Picasso's fascination with masks, with theatricality, and ultimately with the infinite ways a human face could be reimagined..
Presentation
« To me there is no past or future in art. If a work of art cannot live always in the present it must not be considered at all », it is surely what guaranteed Pablo Picasso his universal and timeless recognition! Inspired by his passions of a given moment, and pushing the boundaries of art, he is considered among the most influential artists of the 20th century. His paintings, sculptures, prints and ceramics are absolutely key pieces in the museums of modern art of the world and have influenced some of the greatest artists. Born in 1881 in Malaga, Pablo Picasso was a real art prodigy. At the age of 8, he painted his first oil paintings, at 15 he entered Barcelona's art school, at only 19, he represented Spain the Exposition Universelle in Paris with « Last Moments ».
Following that, Picasso moved to Paris and discovered Toulouse-Lautrec, Degas, Gauguin and Cézanne. The suicide of his friend Casagemas, with whom he lived in Paris, had a profound effect on him and his sadness permeated all his canvases at the time, this was Picasso's « blue period ». From 1905, his melancholy and blue tones were replaced with joy and rose hues, when the painter fell in love with Fernande Olivier and moved to Bateau Lavoir, where he met artists and writers of the time: Matisse, Apollinaire, Jean Cocteau… this was his « rose period ».
From 1906, his obsession with a more complete representation of space inspired him, along with Georges Braque, to decompose objects and recreate them again on the canvas, in the manner of a collage, to show all facets of them. It was the emergence of Cubism that brought back into play the notion of perspective in art. His work « Les Demoiselles d'Avignon », breaking completely with all the codes of the era, sparked debate and would change, in an irreversible way, the rules for artistic creation in the 20th century.
Judging the image to be complicated to read, he abandoned Cubism in 1915 in favour of more traditional portraits, until the Spanish Civil War, when he painted his largest painting: « Guernica », depicting the horror of the Spanish Civil War and marking the beginning of his political engagement.
Picasso died in 1973 in Mougins, leaving behind me a life rich in amorous passions and moral commitments, permeating his work and marking the history of art indelibly. His work is omnipresent in all the largest modern art collections: at the Musée Picasso in Paris, at MoMA in New-York, in the Museo Reina Sofia and many others...
In 2024, the art world continued to celebrate the enduring legacy of Pablo Picasso, the renowned Spanish painter and sculptor. A notable exhibition, "Picasso and Paper", was held at the Cleveland Museum of Art, showcasing nearly 300 works that explored Picasso's innovative use of paper across various mediums, including collages and drawings. This exhibition offered a comprehensive look into Picasso's creative process and his experimentation with materials.
Looking ahead, 2025 promises significant events honoring Picasso's artistic contributions. From February 14 to June 29, 2025, the Atelier des Lumières in Paris will host an immersive exhibition titled "Picasso, Art in Motion". This exhibition aims to delve into Picasso's eclectic and abundant universe, highlighting his relentless energy and constant reinvention of art through a collection of his works, photographs, and videos. Visitors can expect to experience a dynamic journey through various phases of Picasso's career, from his early works to his later masterpieces.
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