Pablo Picasso Sujet Colombre (A.R. 435) 1959 Certamic, 1959
Design : ceramic · 15 x 21.25 x 10 cm 5.9 x 8.4 x 3.9 inch
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About the artwork
Type
Design : numbered and limited to 500 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
15 x 21.25 x 10 cm 5.9 x 8.4 x 3.9 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
Artist: Pablo Picasso Title: Sujet Colombre, A.R. 435 Medium: Ceramic, White Earthenware with Engraving on Enamel Size: 6"h x 8.5"w x 4"d Year: 1959 Edition: 403/500 Inscription: Stamped with Madoura and Edition Picasso stamps, written 'R. 128 Edition Picasso 403/500' on base Documentation: Includes a gallery certificate of authenticity Pablo Picasso's "Sujet Colombre (A.R. 435)" reflects the artist's inventive and sustained engagement with ceramic practice during the postwar period, when he worked extensively at the Madoura pottery studio in Vallauris, France. Created in 1959, the work belongs to a significant phase in Picasso's career in which traditional craft forms became a platform for radical pictorial experimentation. Rather than treating ceramics as a subsidiary medium, Picasso approached clay as a site of transformation, merging sculpture, drawing, and painting into a single expressive object. Picasso's ceramic output from Vallauris has been widely exhibited and is represented in the permanent collections of major institutions, including the Musee Picasso, Paris; the Museum of Modern Art, New York; Tate, London; and the Art Institute of Chicago. Works from the Sujet Colombre series exemplify the ways in which Picasso reimagined traditional ceramic forms, collapsing distinctions between fine art and craft and expanding the expressive possibilities of the medium. These ceramics are now recognized as a critical component of his late oeuvre and as influential precedents within twentieth-century studio ceramics. "Sujet Colombre (A.R. 435)" is a ceramic sculpture in white earthenware with engraved decoration and enamel, created in 1959. The work measures 6 inches in height by 8.5 inches in width by 4 inches in depth and is from an edition of 500, this example numbered 403/500. It is stamped with the Madoura and Edition Picasso stamps and inscribed on the base "R. 128 Edition Picasso 403/500". The work is accompanied by a gallery certificate of authenticity, confirming its authorship, edition, and provenance.
Presentation
« To me there is no past or future in art. If a work of art cannot live always in the present it must not be considered at all », it is surely what guaranteed Pablo Picasso his universal and timeless recognition! Inspired by his passions of a given moment, and pushing the boundaries of art, he is considered among the most influential artists of the 20th century. His paintings, sculptures, prints and ceramics are absolutely key pieces in the museums of modern art of the world and have influenced some of the greatest artists. Born in 1881 in Malaga, Pablo Picasso was a real art prodigy. At the age of 8, he painted his first oil paintings, at 15 he entered Barcelona's art school, at only 19, he represented Spain the Exposition Universelle in Paris with « Last Moments ».
Following that, Picasso moved to Paris and discovered Toulouse-Lautrec, Degas, Gauguin and Cézanne. The suicide of his friend Casagemas, with whom he lived in Paris, had a profound effect on him and his sadness permeated all his canvases at the time, this was Picasso's « blue period ». From 1905, his melancholy and blue tones were replaced with joy and rose hues, when the painter fell in love with Fernande Olivier and moved to Bateau Lavoir, where he met artists and writers of the time: Matisse, Apollinaire, Jean Cocteau… this was his « rose period ».
From 1906, his obsession with a more complete representation of space inspired him, along with Georges Braque, to decompose objects and recreate them again on the canvas, in the manner of a collage, to show all facets of them. It was the emergence of Cubism that brought back into play the notion of perspective in art. His work « Les Demoiselles d'Avignon », breaking completely with all the codes of the era, sparked debate and would change, in an irreversible way, the rules for artistic creation in the 20th century.
Judging the image to be complicated to read, he abandoned Cubism in 1915 in favour of more traditional portraits, until the Spanish Civil War, when he painted his largest painting: « Guernica », depicting the horror of the Spanish Civil War and marking the beginning of his political engagement.
Picasso died in 1973 in Mougins, leaving behind me a life rich in amorous passions and moral commitments, permeating his work and marking the history of art indelibly. His work is omnipresent in all the largest modern art collections: at the Musée Picasso in Paris, at MoMA in New-York, in the Museo Reina Sofia and many others...
In 2024, the art world continued to celebrate the enduring legacy of Pablo Picasso, the renowned Spanish painter and sculptor. A notable exhibition, "Picasso and Paper", was held at the Cleveland Museum of Art, showcasing nearly 300 works that explored Picasso's innovative use of paper across various mediums, including collages and drawings. This exhibition offered a comprehensive look into Picasso's creative process and his experimentation with materials.
Looking ahead, 2025 promises significant events honoring Picasso's artistic contributions. From February 14 to June 29, 2025, the Atelier des Lumières in Paris will host an immersive exhibition titled "Picasso, Art in Motion". This exhibition aims to delve into Picasso's eclectic and abundant universe, highlighting his relentless energy and constant reinvention of art through a collection of his works, photographs, and videos. Visitors can expect to experience a dynamic journey through various phases of Picasso's career, from his early works to his later masterpieces.
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