A table in two dimensions, 2008
Print : etching · 107 x 43.5 x 0.1 cm 42.1 x 17.1 x 0 inch
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Shipped from: France
Delivery to: United States , $ 117
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 60 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
107 x 43.5 x 0.1 cm 42.1 x 17.1 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Description
Original large etching, handsigned and numbered in pencil out of an edition of 60.
This print belongs to the Ming Style Furniture Series. Wang reduced his colour palette to basic colours, as well as simplified the forms of the structures. Considering the context of the times in which Wang's series was created, the creative atmosphere pervasive with the trends of social realism and 'Scar Art', Wang's creative path is decidedly singular, his position in Chinese history unique. Following the Ming Style Furniture Series, the artist's antennae extended further, becoming interested with the furniture within these homes. Bestowing these inanimate objects with spirits, using a contemporary interpretation, he created the Ming-style Furniture series.
As art historian Huang Miaozi said, 'They combine lopsided-ness with balance, simplicity with complexity, dynamism with stillness, safety with danger – all of these contradictions are ingeniously united to create a calm, simple beauty'.
Presentation
Wang Huaiqing, a renowned contemporary Chinese painter, is distinguished by his unique approach to visual art, blending tradition and modernity with exceptional mastery. His work, marked by a fusion of Eastern and Western techniques, captures the essence of Chinese culture while exploring universal themes, making him a must-see artist on the international art scene.
Born in 1944, Wang Huaiqing received a solid artistic education, beginning his career at the Central Academy of Fine Arts in Beijing where he acquired a solid technical foundation. The influence of classical Chinese painting is palpable in his work, but it was his time in the United States that broadened his perspective, incorporating elements of Western modern art. This dual exposure enriched his artistic language, allowing him to create works that resonate both locally and internationally.
Wang Huaiqing’s works are recognizable for their large scale and bold use of color. He favors oils for their texture and versatility, but does not hesitate to incorporate traditional Chinese materials, such as rice paper and ink, to create striking contrasts. His work often oscillates between abstraction and figuration, exploring themes of spirituality, history, and culture through depictions of furniture and architecture, symbolizing continuity and change in Chinese society.
Wang Huaiqing has been the subject of numerous solo and group exhibitions around the world, cementing his international reputation. His works have been exhibited in leading institutions such as the British Museum and the San Francisco Museum of Modern Art. Critics regularly praise his ability to transcend cultural boundaries, and his works are included in prestigious public and private collections.
Wang Huaiqing’s impact on contemporary art is undeniable. By integrating elements of his cultural heritage into a modern artistic context, he paved the way for new interpretations of Chinese tradition, influencing a generation of artists. His work continues to captivate and inspire, demonstrating the rich fusion of old and new artistic worlds. Wang Huaiqing remains an iconic figure in contemporary art, whose work is essential to understanding the evolution of modern Chinese art.
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