La lune près de paraître (The Moon About to Appear), 1967
Print : lithography · 31.1 x 23.2 x 0.1 cm 12.2 x 9.1 x 0 inch · Ready to hang
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About the artwork
Type
Print : numbered and limited to 100 copies
1 copy available
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
31.1 x 23.2 x 0.1 cm 12.2 x 9.1 x 0 inch Height x Width x Depth
Artwork dimensions including frame
52 x 42 x 3 cm 20.5 x 16.5 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
The edition of 99/100 on Arches paper with full margins.
Hand signed.
Publisher: Maeght Éditeur, Paris.
Printer: Arte Adrien Maeght, Paris.
Reference: Cramer 118
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La lune près de paraître, meaning “The Moon About to Appear," captures one of the most poetic moments in the Haï-Ku series. The title suggests anticipation: the moon is not fully visible yet, but its presence is already felt. Miró often treated visual art as a form of poetry, using symbols, rhythm, and space to create meaning. His interest in poets, especially the Surrealists, shaped his belief that an image could suggest more than it explains. In this lithograph, the composition can be read as a meditation on emergence, night, and quiet transformation. Its reduced forms and open space mirror the compressed intensity of a haiku.
Presentation
Joan Miró (1893–1983) was a revolutionary Catalan painter, sculptor, and ceramicist whose bold, surreal, and symbolic style redefined 20th-century art. Born in Barcelona, he developed a unique artistic language that blended abstract forms, vibrant colors, and dreamlike imagery. His work, spanning painting, sculpture, engraving, and ceramics, continues to inspire contemporary artists and collectors worldwide.
From an early age, Miró was immersed in creativity. His father, a jeweler, and his mother, a cabinetmaker, introduced him to the world of craftsmanship. Initially pushed toward a business career, he studied commerce before abandoning it to pursue his true passion—art. By 1912, he was fully dedicated to painting, training at the Llotja Fine Arts School and later at the Galli Academy in Barcelona. Influenced by Fauvism, Cubism, and Expressionism, Miró's early works reflected these modern movements while maintaining a strong connection to his Catalan roots.
In 1919, Miró moved to Paris, where he became a key figure in the avant-garde scene. He connected with leading Surrealist artists and poets, including André Breton, Paul Éluard, and Tristan Tzara, and developed his distinctive style—rejecting conventional techniques in favor of spontaneity and abstraction. His breakthrough came in 1925 with the "Surrealist Painting" exhibition at Galerie Pierre, where he unveiled Carnaval d'Arlequin, a masterpiece of vibrant, surreal symbolism. That same year, he created The Birth of the World, a landmark work that merged his Catalan heritage with his Parisian influences.
Though deeply associated with Surrealism, Miró sought total artistic freedom. By the late 1920s, as political tensions grew within the movement, he distanced himself to explore new techniques. Throughout the 1930s and beyond, he experimented with collage, monumental sculpture, and ceramics, continuously pushing artistic boundaries. His large-scale murals, such as those created for UNESCO's headquarters in 1958, and his celebrated Blue I, II, III triptych (1961) cemented his status as a modern master.
Today, Joan Miró's legacy endures through his influence on abstract expressionism and contemporary art. His works are housed in major institutions worldwide, including the Fundació Joan Miró in Barcelona, MoMA in New York, and the Tate Modern in London. Collectors and art lovers continue to admire his pioneering vision, making him one of the most celebrated and influential artists of the 20th century.
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