Père, 2020
Michele Morando  

Print : tirage fine art · 54.5 x 44 x 0.1 cm 21.5 x 17.3 x 0 inch

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Verified Reviews : 9.6/10
About the artwork

Type

Print : numbered and limited to 30 copies

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Dimensions ( cm • inch )

54.5 x 44 x 0.1 cm 21.5 x 17.3 x 0 inch Height x Width x Depth

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Vetted seller since 2021 • Top Seller

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Description

This captivating work depicts an enchanting wood bathed in golden light. Trees with sturdy trunks rise majestically, their branches forming a thick, mysterious, verdant canopy. The interplay of light and shadow on the ground creates a striking contrast, where patches of golden light dance across the mossy carpet. Through the gaps in the foliage, a vibrant sky of orange and purple hues subtly illuminates the scene, lending a serene yet intriguing atmosphere. The composition is judiciously balanced, guiding the viewer's gaze through the deep dimensions of the forest.

Landscape

figurative

Landscape

Yellow

Green

Michele Morando, Père
France  • 1978

Presentation

Michele Morando (1978) is an Italian painter and visual artist who has lived in France since 2010. His work explores the tensions between the visible and the invisible, through an approach in which light and atmosphere play a fundamental role. He develops a style of painting imbued with a certain cinematic melancholy.

Having started working at the age of 17, he held various jobs before being able to fully dedicate himself to art. He discovered artistic practice on his own, without guidance or reference points, in an environment far removed from the art world, before gradually forging his own path. This experience, enriched by contrasting realities, permeates his sensitive and intuitive approach to creation. His first foray into art was through writing, particularly poetry. He composed several collections and won three literary prizes, enabling his work to be published. Simultaneously, he discovered cinema and explored its possibilities through video. But one cannot serve two masters. The choice was made: to abandon cinema and move further, towards painting. Always seeking experimentation, he favors an intuitive approach where matter and light dictate the composition of the image.

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