Des fruits pour Bethsabée, Circa 2000
Print : lithography · 57 x 70 x 0.3 cm 22.4 x 27.6 x 0.1 inch
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Shipped from: France
Delivery to: Italy , € 20
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 200 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
lithography on paper
Dimensions ( cm • inch )
57 x 70 x 0.3 cm 22.4 x 27.6 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Description
An interior scene unfolds with a marked chromatic intensity. The eye is immediately drawn to a central figure, whose robust silhouette anchors the composition. A white bird, with its wings spread, seems to come to perch gently on the character's shoulder. This gesture establishes a silent and intimate dialogue between the human and the animal.
On the left, a still life composes the setting. A generous pitcher welcomes fruits, placed on a tablecloth with geometric and rhythmic patterns. The colors intertwine boldly, alternating between earthy tones, deep blues, and warm touches of red. The line is assertive, almost raw, emphasizing the contours with graphic frankness.
The light seems to emanate from the back of the room, creating a strong contrast with the areas of shadow. The space is saturated, every centimeter of the canvas is utilized to reinforce the density of the scene. The whole exudes a protective, almost sacred atmosphere, where the everyday becomes poetic. The details, such as the stylized blue leaves on the right side, bring visual lightness to the whole. This work is distinguished by its generous application of material and its expressive approach to forms.
Lithograph and perfect condition numbered 137/200, signed in pencil by the artist.
The work will be shipped flat
Presentation
Théo Tobiasse, born in Israel in 1927 to a Lithuanian family seeking a new homeland, is a renowned figure in contemporary art. His work is deeply infused with themes of exile, motherhood, love, and nostalgic memories of his childhood in Lithuania. Scenes of the green countryside of Kaletova, steamships adorned with colorful flags on the Niémen River, sleds gliding through the snowy streets of Kovno, and the warmth of round teapots and traditional samovars all shaped his artistic vision.
After traveling through Germany and Berlin, Tobiasse arrived in Paris in 1931, where he was met with the stark grayness of a train station—foreshadowing the dark years to come. During the Nazi occupation, his family went into hiding for two years, yet tragedy struck, leaving a lasting mark on his work. Following the Liberation, Tobiasse longed for light, warmth, and expansive skies, leading him to settle in Nice and later in Saint-Paul de Vence.
There, he discovered the mesmerizing lunar landscapes of the Saint-Barnabé plateau, which inspired his first painting. A visit to the Rijksmuseum in Amsterdam became a turning point—Rembrandt's The Jewish Bride revealed to him the mysteries of texture, glaze, and chiaroscuro, shaping his distinctive artistic technique.
Tobiasse's art is a poetic fusion of emotions and memories. Women as mothers and lovers, exile, sensory exaltation, music, and travel intertwine on his canvases, often set against the backgrounds of Venice, New York, and Jerusalem—his cities of inspiration. His works are frequently accompanied by emotionally charged words and phrases, not to explain but to extend their meaning.
Mastering multiple techniques, Tobiasse expressed his creativity through painting, sculpture, carborundum etching, pastel, drawing, ceramics, and stained glass. His unique artistic language made him a sought-after name in the art market, with collectors and galleries showcasing his work worldwide.
Théo Tobiasse lived and worked in Saint-Paul de Vence until his passing on November 3, 2012. Today, his legacy endures through major exhibitions, high-value art sales, and ongoing recognition of his contributions to modern art.
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