Pear Bachanalia, 2022
Print : digital art, Digital color print · 100 x 100 x 0.5 cm 39.4 x 39.4 x 0.2 inch
€707
707 €
Shipping & delivery
Shipped from: United Kingdom
Delivery to: Germany , € 76
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 50 copies
50 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Digitally signed
Technique & Support
Dimensions ( cm • inch )
100 x 100 x 0.5 cm 39.4 x 39.4 x 0.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
Pear Bacchanalia (2022) by Natalia Kolpakova is a mischievous silk scarf that imagines what happens in the orchard after dark, when pears stop behaving themselves. Inspired by Spike Milligan's playful absurdity, the composition unfolds in two parallel worlds: below, fallen fruit morph into tiny revelers staging a riotous autumn feast, toasting, dancing, and plotting under a vault of leaves and stars; above, hammocks drift lazily between branches, holding blissfully unaware dreamers. The ironic verse—“No women here, that's plain to view… But if they were, one can't help but ask, / In this whimsical scene, what's the task?"—adds a sly narrative twist, turning the scarf into a visual punchline about who is really in charge of the party. Luxuriously printed on silk, Pear Bacchanalia works as both a sumptuous accessory and a collectible artwork, rewarding close looking with hidden jokes and orchard-born deities tucked between pears, flowers, and shadows.
Presentation
My art bridges fine art and fashion, creating silk-printed designs that serve as both adornments and conversation pieces. Each piece holds a narrative—mysterious yet familiar—inviting the viewer into layered interpretations of dreams, memories, and shifting realities. By playing with spatial and temporal distortions, I aim to evoke a sense of timelessness. Wearing my designs allows the observer to experience an additional, personal dimension—strengthening or distancing connections but never leaving anyone indifferent.
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