La valse hésitation, 2010
Print : lithography · 45 x 60 cm 17.7 x 23.6 inch
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Shipped from: Spain
Delivery to: Germany , € 34
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 275 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from ADAGP
Invoice from the gallery
Signature
Plate signed
Technique & Support
Dimensions ( cm • inch )
45 x 60 cm 17.7 x 23.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
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Description
This lithograph embodies the intellectual curiosity of Belgian surrealism. Two green fruits dominate the foreground. They rest upon a dark wooden surface. Each fruit wears a mysterious mask. One is a deep blue. The other is a soft rose. These accessories transform ordinary nature into a theatrical stage.
The artist challenges our perception. He blends the familiar with the absurd. This conceptual approach forces a dialogue between the object and its representation. Floating clouds drift across a pale blue sky in the background. The light is steady. The colors are precise.
The composition evokes a dreamlike stillness. It invites the viewer to question the nature of identity. It strips the fruit of its organic simplicity. It replaces it with a human mystery. The tension lies in the silence of the scene. Every shadow is carefully placed. The artwork remains a study of subjectivity and visual paradox. This print preserves the master's ability to render the impossible with academic clarity. It focuses on the subtle contrast between the matte skin of the produce and the smooth texture of the masks.
Presentation
René François Ghislain Magritte (1898-1967) was a Belgian artist. His childhood was marked by the death of his mother, who killed herself, but also by his meeting of Georgette Berger during his teenage years, whom he later married and who became his only muse.
He moved to Brussels in 1915 and produced his first impressionist paintings. He started his studies at the Royal Academy of Fine Arts in Brussels and discovered cubism and surrealism. He started working as a designer in a wallpaper factory, and then as a freelance graphic designer. In Brussels, he befriended Belgian surrealists such as Goemans and Nougé.
He moved to Paris in 1927, where he met some of the most prominent writers and artists associated with the surrealist movement: André Breton, Luis Bunuel, Salvador Dali, Paul Eluard, Joan Miró... Certain differences of opinion with the surrealist group drove him to return to Belgium, where he became the leader of the movement. His anxiety over the war that he felt was coming reinforced his attachment to the surrealist thinking, but also his political involvement.
René Magritte was interested in the difference between objects and their representation. His body of work explores the mysteries we perceive from various aspects of everyday life, using sometimes language, other times theatrical settings to display bizarre objects. He used familiar objects in his paintings, encouraging us to change our perception of the most common things, by bringing our subjectivity into the equation.
His dreamlike style earned him worldwide recognition starting in the 1960s. His works have been exhibited at the Museum of Modern Art in New York, the Art Institute of Chicago, the Boijmans Van Beuningen Museum, and the Centre Georges Pompidou.
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