Le Temps Menacant, 2010
Print : lithography · 45 x 60 cm 17.7 x 23.6 inch
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Shipped from: Spain
Delivery to: Germany , € 34
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 275 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from ADAGP
Invoice from the gallery
Signature
Plate signed
Technique & Support
Dimensions ( cm • inch )
45 x 60 cm 17.7 x 23.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2025 • Top Seller
Description
A challenging dialogue between reality and representation. This lithograph gathers disparate objects in a silent assembly. A headless female torso stands beside a massive tuba and a simple rustic chair. All three elements share a ghostly, monochromatic pale tone
They hover weightlessly above a deep blue horizon. The sea meets a rocky coastline under a cloudless sky. This juxtaposition defies logic. It removes the objects from their functional contexts to create a poetic mystery
The Belgian master invites a shift in perception. He transforms the mundane into the extraordinary. By altering scale and color, the scene becomes a theatrical stage for the subconscious
The composition emphasizes a stark contrast. Warm natural light hits the stone-like textures of the figures. This tension between the tangible and the dreamlike defines the conceptual power of the artwork. The gaze is drawn to the precise rendering of the chair's woven seat against the vastness of the ocean.
Presentation
René François Ghislain Magritte (1898-1967) was a Belgian artist. His childhood was marked by the death of his mother, who killed herself, but also by his meeting of Georgette Berger during his teenage years, whom he later married and who became his only muse.
He moved to Brussels in 1915 and produced his first impressionist paintings. He started his studies at the Royal Academy of Fine Arts in Brussels and discovered cubism and surrealism. He started working as a designer in a wallpaper factory, and then as a freelance graphic designer. In Brussels, he befriended Belgian surrealists such as Goemans and Nougé.
He moved to Paris in 1927, where he met some of the most prominent writers and artists associated with the surrealist movement: André Breton, Luis Bunuel, Salvador Dali, Paul Eluard, Joan Miró... Certain differences of opinion with the surrealist group drove him to return to Belgium, where he became the leader of the movement. His anxiety over the war that he felt was coming reinforced his attachment to the surrealist thinking, but also his political involvement.
René Magritte was interested in the difference between objects and their representation. His body of work explores the mysteries we perceive from various aspects of everyday life, using sometimes language, other times theatrical settings to display bizarre objects. He used familiar objects in his paintings, encouraging us to change our perception of the most common things, by bringing our subjectivity into the equation.
His dreamlike style earned him worldwide recognition starting in the 1960s. His works have been exhibited at the Museum of Modern Art in New York, the Art Institute of Chicago, the Boijmans Van Beuningen Museum, and the Centre Georges Pompidou.
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