Homage to the Square, 1979
Print : fine art print · 30 x 30 x 0.1 cm 11.8 x 11.8 x 0 inch
CHF 386
386 CHF
One of the last works available by this artist
Shipping & delivery
Shipped from: Belgium
Delivery to: Switzerland , CHF 34
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 250 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Not Signed
Technique & Support
Dimensions ( cm • inch )
30 x 30 x 0.1 cm 11.8 x 11.8 x 0 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Belgium
Credentials
Vetted seller since 2016
Description
Limited edition serigraph in 4 colors on strong Tintoretto Gresso paper.
Published in 1979 by the Guggenheim Museum in New York, USA.
Printed after the original artwork in offset and under the authorization of the Artists Rights Society, New York / ADAGP Paris.
Numbered in pencil up to 250 copies on the reverse.
This print bears the number 15.
Presentation
Josef Albers is a German artist of the Bauhaus School born in 1999 and died in 197 in New Haven . He is considered one of the precursors of optical art or Op Art .
Initiated by his father, a building painter who sometimes created theater sets, Josef Albers developed his taste for art at a very young age. He became a teacher in 1913, but developed his interest in painting at the same time and then decided to begin studying art at the Royal Academy of Fine Arts in Berlin.
In 1920 the aspiring artist joined the Bauhaus school. He quickly gained attention and was appointed Master at the Bauhaus in 1923. Back as a teacher, he teaches figurative drawing .
He tried different mediums and developed a particular interest in color. He creates many abstract paintings focusing on colors. The “Homage to the Square" series makes it even more famous. His theory of color was taken up and the Op art movement was built little by little.
With the rise of the Nazis, the Bauhaus School was closed in 1933. Josef Albers and his wife moved to the United States. There he developed his theory of color and gradually became interested in optical effects . In 1950, he joined Yale where he headed the design department.
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