MMX 1, 2010
Enrique Brinkmann   Famous Artists

Print : aquatint · 76 x 107 cm 29.9 x 42.1 inch

€720 720 €
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Shipped from: Spain

Delivery to: Germany , € 60

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Verified Reviews : 9.6/10
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About the artwork

Type

Print : numbered and limited to 30 copies

1 copy available

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

76 x 107 cm 29.9 x 42.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

An original print issued in an edition of thirty copies. The title, combining the Roman numeral for 2010 with a sequence number, follows the practice by which Enrique Brinkmann, born in Málaga in 1938, indexes works by year rather than describing them. Brinkmann has pursued for six decades an abstraction built on the line: a continuous, searching, filamentary mark that in his paintings on metal mesh passes literally through the support, so that drawing and structure become the same operation. The work has been read in relation to scientific imaging, to the diagram and to the neural network, though the artist has resisted illustrative interpretations. The unusually wide format, 76 by 107 centimetres, gives the line the horizontal extension his compositions require. The small edition of thirty places this among the more restricted print runs in the collection. Brinkmann was awarded the Medalla de Oro al Mérito en las Bellas Artes in 2015; the Museo Reina Sofía and the Centro de Arte Contemporáneo de Málaga hold his work.

Abstract

Abstract art

Mediterranean

Semi-abstract

Black

Enrique Brinkmann, MMX 1
Spain  • 1938

Presentation

Enrique Brinkmann is a Spanish artist born 1938 in the same building where Pablo Picasso was born half a century earlier. Not so famous in France yet, he is considered as one of the greatest Spanish contemporary artist and one of the most originals.

A self taught painter and writer, in 1950 he started developing a singular and changing practice, mixing poetry of forms and abstraction of colors, between figuration and non-figuration. A painter of bodies and faces, he captivates with his fantastic bestiary and creates an spectacular synthesis of the Expressionism of the early century, surrealism and postmodern abstract research.

His work has been exhibited in some of the bigggest cities of Europe as well as in the group exhibition called "Spanish Art Tomorrrow" presented in New York and Washington in the beginning of the 80s.

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