MMX 1, 2010
Print : aquatint · 76 x 107 cm 29.9 x 42.1 inch
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Shipped from: Spain
Delivery to: Germany , € 60
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Print : numbered and limited to 30 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
76 x 107 cm 29.9 x 42.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
An original print issued in an edition of thirty copies. The title, combining the Roman numeral for 2010 with a sequence number, follows the practice by which Enrique Brinkmann, born in Málaga in 1938, indexes works by year rather than describing them. Brinkmann has pursued for six decades an abstraction built on the line: a continuous, searching, filamentary mark that in his paintings on metal mesh passes literally through the support, so that drawing and structure become the same operation. The work has been read in relation to scientific imaging, to the diagram and to the neural network, though the artist has resisted illustrative interpretations. The unusually wide format, 76 by 107 centimetres, gives the line the horizontal extension his compositions require. The small edition of thirty places this among the more restricted print runs in the collection. Brinkmann was awarded the Medalla de Oro al Mérito en las Bellas Artes in 2015; the Museo Reina Sofía and the Centro de Arte Contemporáneo de Málaga hold his work.
Presentation
A self taught painter and writer, in 1950 he started developing a singular and changing practice, mixing poetry of forms and abstraction of colors, between figuration and non-figuration. A painter of bodies and faces, he captivates with his fantastic bestiary and creates an spectacular synthesis of the Expressionism of the early century, surrealism and postmodern abstract research.
His work has been exhibited in some of the bigggest cities of Europe as well as in the group exhibition called "Spanish Art Tomorrrow" presented in New York and Washington in the beginning of the 80s.
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